A tribe called red

Nolan Matthews
January 31, 2013
This article was published more than 2 years ago.
Est. Reading Time: 3 minutes

Politics and music go way back.

In the 1980s Public Enemy challenged the assumption that music should be a form of entertainment and, as writer Mark Fisher points out, instead saw music as a way to define a new revolutionary history. Even earlier the legendary folk musician Woody Guthrie gave a voice to the Great Depression as he travelled across America carrying a guitar that famously displayed the words “This Machine Kills Fascists.”

Though music’s grand promise of leading revolutions has faded, it seems that now more than ever we need artists to shake up our assumptions about how we see the world. That’s what the music of A Tribe Called Red is all about – subversion. But also dancing.

Based in Ottawa, A Tribe Called Red are a native-Canadian group that combine traditional pow wow and electronic dance music. “It started as a party called electric pow wow,” said DJ NDN, one of group’s three members. “We played for the crowd, which was First Nations students, and people went crazy for one track that sampled pow wow music so we thought we should try more of it.” People in clubs were so ecstatic that they cheered after the songs. Their first show to a mostly non-native Canadian crowd in Montreal even had people chanting the group’s name before they went onstage.

It seems like A Tribe Called Red have become really popular really quickly, but the members of the group have actually been at it for a long time. “I used to be in punk bands,” said DJ NDN. “I played drums with Canadian punk rock legends the Ripcordz and we got to open for the Misfits.”

“I was probably in 12 bands growing up and just killed the high school battle of the bands scene,” said DJ Shub.

“You gotta remember that he’s way older,” added NDN, “so he was the DJ in the metal bands when the Limp Bizkit thing was really hot.” Shub’s rap-rock (remember that?) abomination was called Flush Bucket. Flush Bucket. “It was the best battle of the bands ever,” said Shub.

“I found out really early on that I wasn’t going to play an instrument,” said DJ Bear Witness. “I got pushed into DJ’ing by my friends.”

A Tribe Called Red didn’t start out with any sort of political aspirations but quickly found that it was pretty much impossible to not be involved in politics. The group recently released a song called “The Road” in support of the Idle No More movement, and their music and live show often features clips of hilariously racist representations of native people.

“A really good example is a video made by Bear of Super Cat, a Jamaican dude, singing about Indians from all directions and a clip from a 1960s British variety show,’” said NDN. “You had these British white people dressed as what they thought Indians were supposed to be and a Jamaican singing about Indians – everyone’s showing you what they think Indians are but nothing’s native about it. Until we took it and decolonized it.”

The story of native-Canadians is so often something told by people who are anything but native. The “indigenizing,” as NDN calls it, of Native representations is about trying to make our understanding not limited to what we already know. “We see it as a very good way to subversively pass these messages on,” said NDN. “It’s better than if we sat down and said ‘this is racist’ because it gives people a chance think about it on their own.”

It’s about time we all tried to figure out the complicated thing that is the relationship between native and non-native Canadians.


Nolan Matthews,

Senior ANDY Editor


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