Celebrating the diverse voices and talents of BIPOC students shaping the arts and culture scene at McMaster
McMaster University has a diverse group of creative BIPOC students. Through time, effort and dedication, some student creators have garnered significant attention both on and off campus. By showcasing their work at pop-up shops, markets and across social media platforms, they've effectively amplified their commitment to their crafts.
Here is a closer look into four students that have been honing their crafts and diversifying their academic journeys with their art. These student creators, from various cultural backgrounds, have diverse talents to offer in fields such as jewelry making, nail art and poetry.
Margaret Qin
Margaret Qin is a third-year human behaviour student and organizer of the Grind Market who has transformed what started as a hobby into a full-fledged small business: Earrings by Margaret. During the pandemic, Qin began making jewelry as a way to pass time.
But as time went on, it became a great creative outlet. Every piece of jewelry she creates is handmade, with sustainability and ethical practices incorporated into her work wherever possible as advertised on her business website.
Princess Aina-David
Princess Aina-David, a third-year civil engineering student, runs her small-business called Lap Nailz, a home-based nail studio in Hamilton near McMaster’s main campus.
She offers a range of nail services, including gel manicures, custom press-on nails and acrylic designs. Her work, often showcased on her Instagram page, demonstrates a high level of artistry and attention to detail, attracting clients who seek personalized nail designs.
Ramneek Panchi
Ramneek Panchi, beyond being a student of philosophy and music at McMaster, is a poet. Combining both her academic and creative interests, she is specifically a philosophical poet whose works capture the human experience through soulful exploration of personal and social connections.
She works at Poesy, Canada’s first experiential writing company. She expresses profound emotions through both poetry and piano, with the hope that her work connects with like-minded, passionate souls. Panchi also showcased her talent as a live service-based vendor at the most recent student market at the Grind on Mar. 25, 2025, where she wrote personalized poems for each customer on the spot.
Romielle Villacorta
Last but certainly not least, Romielle Villacorta, an anthropology student, specializes in creating custom press-on nails. Villacorta runs a small business called Bunny Klaws.
She sells her hand-crafted designs at pop-up events, both on campus and in Toronto. Villacorta’s press-on nails are tailored to individual styles and preferences, offering a unique way for people to express themselves through their nail art.
These four McMaster students are combining their academic lives with their creative interests, showcasing how students can simultaneously thrive as creative entrepreneurs across various fields. Whether it’s through handmade jewelry, personalized nail art, meaningful poetry, or custom press-on nails, these creators are finding innovative ways to share their craft and connect with others.
Their work reflects the diversity of talent at McMaster and the potential of exploring creative passions alongside one's academic pursuits.
At the Royal Botanical Gardens, Wonderland comes to life through vibrant blooms and whimsical design
Winter at the Royal Botanical Gardens is anything but dull. From Feb. 1 to March 30, 2025, the garden’s newest curated botanical exhibit, Alice in Bloomland, transforms the season’s cold and grey atmosphere into an escape where orchids bloom in abundance, whimsical art installations play with scale and colour, and visitors are invited to step into a world that feels both surreal and familiar.
The exhibit brings to life the whimsical imagery of the 1865 novel by Lewis Carroll, Alice's Adventures in Wonderland. Kim Viney, chief operating officer at the RBG, shared that the theme was born from a year-long focus on nostalgia, tapping into a story recognized across generations.
As the RBG’s first large-scale floral showcase, the exhibit goes well beyond simple arrangements. Viney explained that the team carefully balanced natural and built elements, incorporating lush florals and plants into elaborate set pieces, creating a space where nature doesn’t just decorate but becomes part of the storytelling.
Unlike traditional exhibits, Alice in Bloomland invites visitors to experience the spirit of Lewis Carroll’s imagined Wonderland in their own way. Some may be drawn to the playfulness of the props, while others may focus on the artistry of CoBALT Connects’ textile installations.
“We didn’t want to dictate how people should enjoy it,” said Viney. Instead, the space is designed to surprise—every visit offers something new to discover.
We didn’t want to dictate how people should enjoy it.
Kim Viney, Chief Operating Officer Royal Botanical Gardens
As the winter brings bare outdoor gardens, the RBG aimed to create a warm and lively experience to contrast the season’s grey skies.
“People have told us they walk in and immediately feel lighter, like they don’t need to escape to the south,” said Viney.
People have told us they walk in and immediately feel lighter, like they don’t need to escape to the south.
Kim Viney, Chief Operating Officer Royal Botanical Gardens
Located at the RBG Centre at 680 Plains Rd. W. in Burlington, Ont., Alice in Bloomland is just 15 minutes from McMaster University by car or 30 to 40 minutes by public transit. With the semester wrapping up and exams approaching, students can immerse themselves in a whimsical and natural scene.
McMaster karate instructor Sensei Phil McColl inducted into the Canadian Black Belt Hall of Fame, following years of significant contributions to martial arts in Canada
At the end of 2024, McMaster karate instructor Sensei Phil McColl was inducted into the Canadian Black Belt Hall of Fame. Sensei McColl has been an influential figure in the martial arts program at McMaster for over forty years, displaying unwavering amounts of commitment and dedication to his students.
Sensei McColl's journey began in 1975 at the age of 24 where he began training under the guidance of Sensei Don Warrener in Goju Ryu karate. He has since then expanded his skill set and become proficient in other martial arts such as Kobudo, Jujitsu, Muay Thai and other styles of karate.
After countless years of training, he earned the title of ninth-degree black belt (Kudan) in January 2023. Kudan is the second highest black belt rank in Goju Ryu.
Sensei McColl started teaching at McMaster in 1984. Over the past forty years he has been encouraging students to study karate, citing valuable skills such as resilience and diligence that come with learning a martial art.
Ever since he started, Sensei McColl has been dedicated to building an environment which spreads the shared values of martial arts. He has been largely responsible for fostering a supportive martial arts community at McMaster that allows students to not only prosper in karate, but their day-to-day lives as well.
Sensei McColl has been dedicated to building an environment which spreads the shared values of martial arts.
Heidi Obrien, instructional programs coordinator at McMaster University, has previously expressed her gratitude for Sensei McColl's work at McMaster. She maintains that Sensei McColl has been an invaluable mentor for students of diverse backgrounds. His approachable and passionate teaching style have made him a valuable figure in the McMaster community.
His approachable and passionate teaching style have made him a valuable figure in the McMaster community.
In addition to teaching, Sensei McColl participated in the World Karate Organization World Championships in 1994. There, Sensei McColl was able to showcase his proficiency in Goju Ryu on the international stage. There, he also coached the McMaster women's kata team to a first place finish.
Sensei McColl still holds classes on Tuesday and Thursday evenings, welcoming participants from all skill levels.
Combining art and coaching on fostering positive mindset change, McMaster's Museum of Art workshop offers a unique perspective on future-focused thinking
On Jan. 23, 2025 from 4:30 p.m. to 6:30 p.m., the McMaster Museum of Art hosted Reimagining Mindsets for the Future, an interactive workshop designed to help participants explore new ways of thinking and approaching challenges. By blending visual arts, group coaching and education, the event aimed to inspire personal growth and equip attendees with tools and strategies to stay positive and navigate uncertainty in today’s world.
Co-created by executive, leadership and team coach, Amanda Calzolaio, alongside Nicole Knibb, a senior educator at the McMaster Museum of Art, the workshop took place in the museum’s gallery space. Attendees were invited to engage with art, participate in discussions and reflect on how mindset shifts could shape their perspectives on the future.
Calzolaio and Knibb, drawing on their experience in coaching and arts education, designed the workshop to integrate three core elements: visual arts, group coaching and education. According to Calzolaio, this blend creates a “dynamic interplay” that deepens awareness and fosters connection.
“Art allows for expression of values, perspectives and identity. Education invites new knowledge. And coaching deepens the awareness of self, others and the world. So, collectively, these components shift mindsets and inform how we see ourselves and the world,” explained Calzolaio.
Art played a significant role in fostering self-awareness and connection during the workshop, with the museum environment enhancing the experience.
“Being in the gallery, surrounded by artwork, creates a unique space for reflection and connection. It’s a really great way to get to know yourself, your place in the world and be with other people in the same space,” said Knibb.
The workshop also placed a strong focus on the concept of futures thinking, a creative and analytical approach to envisioning what the future could look like and how to shape it positively.
“Artists are really good at seeing things others might not. They spot signals that help us think about what might happen and how to prepare for it,” said Knibb. “Futures work offers hope and optimism and encourages us to imagine better possibilities rather than focus on dystopias."
Artists are really good at seeing things others might not. They spot signals that help us think about what might happen and how to prepare for it.
Nicole Knibb, Senior Educator: Academic & Professional Engagement McMaster Museum of Art
The workshop also emphasized the importance of building momentum as part of future thinking, a concept central to the coaching process.
“In coaching, our goal is to move from the present into the future. Future thinking is about creating forward-facing momentum that’s relevant to each participant, helping them build a vision of what’s possible,” said Calzolaio.
For many participants, the workshop offered a chance to engage with new perspectives and rediscover creativity. “We want participants to leave with a sense of curiosity and connectedness—with themselves, others and the world. It’s about tapping into something they didn’t know was possible or maybe forgot about,” Calzolaio said.
We want participants to leave with a sense of curiosity and connectedness—with themselves, others, and the world.
Amanda Calzolaio, Leadership and Team Coach
Knibb added that the museum's central location on campus makes it an ideal setting for such an event. “It’s accessible for students and others and it’s a great way for young people to spark creativity, imagination and optimism about the future,” she said.
As the second workshop in what the McMaster Museum of Art hopes will become an ongoing series, Calzolaio noted, “This is just the beginning. We hope to continue this work and bring it to even more people in the future." Reimagining Mindsets for the Future reflects the museum's commitment to blending arts-based education and group coaching to foster growth and collaboration.
Details about upcoming workshops and events can be found on the McMaster Museum of Art's social media and website.
By blending creativity with representation, Maccess proves that art can inspire action for disability awareness
During the week of Nov. 18 to 22, 2024, Maccess, a volunteer-run peer support and advocacy centre of the McMaster Students Union, hosted DisVisibility Week, a series of art-focused events designed to foster disability awareness.
The events aimed to celebrate the creativity that is essential in navigating a world not built with accessibility in mind. This year’s theme, “Cripped Creativity,” was at the heart of the week’s programming, offering participants a chance to engage with art as a tool for expression, community-building, and justice.
The term “Cripped Creativity,” as explained by Honey Starr, assistant director of Maccess, builds on the idea of “cripping,” a concept from their social work class that reclaims the term “crip” as a form of empowerment.
“Cripping creativity is about making creativity accessible," shared Starr, emphasizing that artistic expression doesn’t need to adhere to fixed structures or rules. Instead, this week was about honouring the diverse ways people create—on their own timelines and with tools that work for them.
Cripping creativity is about making creativity accessible.
Honey Starr, Assistant Director Maccess
The art-based events during DisVisibility Week encouraged participants to engage with creativity in ways intended to feel authentic and liberating. The activities offered judgment-free spaces for exploration and self-expression.
Each day of the week-long initiative featured an event designed to showcase different artistic mediums. Monday’s Disability Doodlefest invited participants to doodle freely and share their creations. On Tuesday Maccess held a movie night showcasing peace love (unicorns) & communism, a film by McMaster alumni that critiques campus advocacy systems and recognizes Maccess itself.
Throughout the week, the Bits & Buttons event focused on creating custom buttons, allowing participants to design pins that expressed personal or political statements. A game of Jeopardy also provided a lighthearted trivia experience.
The Zine Fiends event on Nov. 22, in collaboration with the Women and Gender Equity Network, capped off the week with a hands-on zine-making workshop that proved especially popular.
“It’s so easy to create a zine with just a single sheet of paper,” Starr explained. Participants were encouraged to let their imaginations roam, piecing together collages, poetry, or artwork in a communal space. The event’s success highlighted the power of accessible art forms to bring people together and spark conversations.
The choice to focus DisVisibility Week around artistic activities was intentional. “Creativity is already such a central part of the disabled experience,” noted Starr. “People with disabilities are constantly coming up with creative solutions to navigate inaccessible spaces.” By channeling this resourcefulness into art, Maccess aimed to create opportunities for participants to share their stories, experiences and ideas in powerful and tangible ways.
People with disabilities are constantly coming up with creative solutions to navigate inaccessible spaces.
Honey Starr, Assistant Director of Maccess
Nat Sim, director of MACCESS, added that art can also challenge stereotypes and shift narratives.
“Disability is often talked about in ways that aren’t authentic or critical," shared Sim. She explained that through art, individuals are able to tell their stories on their own terms. Events like these are not just about fostering creativity but also about building a deeper understanding of the experiences of folks with disabilities and advocating for justice.
Starr reflected on the week’s impact on those who attended. “We had students come in and say, "I didn’t even know Maccess existed until now,"” shared Starr. By raising awareness about their space and mission, DisVisibility Week succeeded in spotlighting advocacy about the experiences of individuals with disabilities.
Inclusion and accessibility were central to the planning of the week’s events. Maccess took care to ensure activities were physically accessible and adaptable to different needs. “We wanted to make sure that our events reflected the values we stand for,” Sim emphasized.
As Maccess looks to the future, its leaders hope to continue expanding their reach and creating spaces where disabled students feel seen, supported and celebrated. “We’re an open space and we accept everybody, no matter what stage you are in your diagnosis or journey with disability,” said Sim.
Students interested in supporting Maccess can follow them on social media, participate in upcoming events, or stop by their renovated space on campus. The Maccess centre is located in MUSC B111 and is open from 12:00 to 4:00 p.m. on Mondays, Wednesdays and Fridays. With initiatives like DisVisibility Week, Maccess is not only advocating for a more inclusive campus but also reminding everyone of the power of art and community.
Artists and enthusiasts gathered at the Hamilton Public Library to showcase their creativity and sell their work
The Hamilton Zineposium is a zine fair organized by a small volunteer collective of local artists. The event took place on Nov. 2, 2024 from 11:00 a.m. to 4:00 p.m. at the central branch of the Hamilton Public Library as part of the Hamilton Day celebrations.
This year, the Zineposium had 40 vendors who are all Hamilton-based. The Zineposium provides a platform for local zine makers to showcase, display and sell their artwork in the form of zines.
Zines are usually a self-published work, with similar formatting to a magazine, that highlight a topic the creator cares about. Zine makers also had the opportunity to sell other items such as stickers, buttons and bookmarks.
Sonali Menezes, a co-organizer of Zineposium, is one of three artists who inherited the Zineposium organization. “Three years ago, the organizers asked if we wanted to take over organizing the event. They wanted to pass on the torch to younger artists in the city and so we took it over in 2022,” said Menezes.
The three new organizers, Sonali Menezes, Sahra Soudi and Mariel Rutherford, were originally vendors for the event. “It’s interesting that we started as tablers at the zine fair. Now we organize it and we’re fostering that community for other zinesters,” said Menezes.
It’s interesting that we started as tablers at the zine fair. Now we organize it and we’re fostering that community for other zinesters.
Sonali Menezes, Co-Organizer Zineposium
Sahra Soudi, another co-organizer of the Zineposium, discussed the seamless transition of taking on the organization with their peers. “They [former founders] passed the administrative torch in some ways . . . luckily all of us are administrators in our own working lives and already have that experience,” said Soudi.
Menezes further explained the convenience of the working relationship with her peers throughout the transition. “Sahra, Mariel and I used to work together . . . at an artist-run centre. We already had a working relationship with each other and were already friends before we took this on,” said Menezes.
As a collective, the three have been facilitating the Zineposium since 2022 and are currently collaborating with the Hamilton Public Library to host the event. “There are lots of wonderful staff at the library who support the Zineposium every year,” said Menezes.
Soudi described the involvement required to organize this event. “How this thing [Zineposium] keeps running is our relationship with the library, also volunteers and the zine community,” said Soudi.
For those new to the zine fair, Menezes suggested bringing cash to purchase the available works. “Price points tend to be lower so bring things like loonies and toonies and 5 dollar bills. If you make zines a lot of zinesters are open to trades,” said Menezes. “Trading is a really big part of zine culture . . . that’s how I put together my own personal zine library.”
Menezes also hopes that more students will turn out to the next event. “What I would encourage is for Mac students to exit the university bubble and come into the community and meet people,” said Menezes.
What I would encourage is for Mac students to exit the university bubble and come into the community and meet people.
Sonali Menezes, Co-Organizer Zineposium
Soudi mentioned that the Zineposium continues to grow in popularity. “We had around 500 people come through the library. So it’s usually pretty well attended and people look forward to it every year,” said Soudi.
If you missed this year's Zineposium, you can attend next year or get involved through updates on their Instagram.
The Halloween Art Battle will take place at The Art Gallery of Hamilton, connecting artists and their community
Featuring an array of Hamilton artists in one place competing in timed tests of artistic skill, Art Battle is coming to Hamilton once again this Halloween at the Art Gallery of Hamilton. Doors will open at 7:00 p.m. and the show starts at 8:00 p.m.
This year's event will include a costume contest so the audience can compete alongside the artists. The energetic environment is also fueled by curated music from a DJ.
Art Battle was founded in New York City in 2001 and has hosted over 3,000 speed painting competitions for local artists across the world. Art Battle Hamilton held their first live painting tournament in 2018.
Artists can register on the Art Battle website and apply to compete at events in their local area. Artists across mediums from any background are welcome to compete.
Each tournament consists of three rounds of speed painting. In the first two rounds, artists have twenty minutes to put their vision onto a canvas while the crowd observes the artistic process. The crowd then votes on the two best artists who compete in a 30-minute, high stakes final round as the DJ turns up the pressure to determine the Art Battle champion.
Hamilton artist Becka James highlighted Art Battle as a reason to stay active with the local art scene, as it has taken her across Ontario to compete with other artists.
“I became a really big supporter and participant of Art Battle. I really believe in it and it's a fun experience [because] it's also interactive, right? So it's not just you sitting in your room or studio painting something, you have the crowd involved ... Having that feedback of people with you while you're doing this timed painting, it's a whole inclusive experience … even if you aren't an artist and you're there watching it, you get to have that experience of being involved and seeing the process of the art,” said James.
I really believe in it and it's a fun experience [because] it's also interactive, right? So it's not just you sitting in your room or studio painting something, you have the crowd involved.
Becka James, local artist
James highlighted the positivity she has gained after being a participant for seven years and the lessons she has learned as an artist since. This is partly due to the contrast of working as an artist alone versus in a public setting such as Art Battle.
James mentioned that young artists tend to second guess themselves when working alone, getting too attached to the work and becoming hypercritical. "They'll work on something for hours and then it just doesn't turn out the way they want and they're crushed, right? With Art Battle and speed painting you can't get attached to it .... so it almost humbles you in a way. It doesn't matter what your own opinion is, if somebody else is connecting with the artwork that you've done that's what matters," said James.
With Art Battle and speed painting you can't get attached to it .... so it almost humbles you in a way. It doesn't matter what your own opinion is, if somebody else is connecting with the artwork that you've done that's what matters.
Becka James, local artist
Art Battle is a celebration of art, especially the artistic process, that gives a meta-performance of sorts that showcases this process to everyone. More information about the event and Art Battle can be found at the Art Battle website. Be sure not to miss this great Halloween event this Thursday night!
Hamilton community members gathered to honour lives lost and advocate for a brighter future in overdose prevention
The initial gathering to create the origami butterflies occurred on Aug. 22, 2024 at 12:30 p.m.. The memorial was fully assembled and commemorated on Sept. 26, 2024 from 1:00 p.m. to 3:00 p.m. at 541 Eatery & Exchange in Hamilton.
International Overdose Awareness Day takes place every year on August 31 with the goals of destigmatizing discussion and action about drug-related death and raising awareness about substance use. For SOPEN, the idea of a public memorial originated from a deep sense of grief over the rising death toll due to drug poisoning in Hamilton.
The memorial is made of 1,051 origami butterflies that represents the lives lost to drug poisoning in Hamilton since 2015. Kayla Crabtree, co-founder of SOPEN, shared the symbolism and significance of the butterfly. “The butterfly represents transformation and although [these] folks may not be here on earth with us now, they're often on a journey to something more beautiful,” Crabtree explained.
The butterfly represents transformation, and although folks may not be here on earth with us now, they're often on a journey to something more beautiful.
Kayla Crabtree, Co-Founder Substance Overdose Prevention and Education Network
The memorial was a community effort. On Sept. 26, local Hamilton residents came to create and paste origami butterflies to a canvas. “It was a way to highlight the amount of grief for the amount of lives lost but also a beautiful way to bring together the community of people who are grieving the loss of all those lives,” said Crabtree.
In addition to honouring those lost, the butterfly installation serves as a reminder of the ongoing opioid crisis in Hamilton, where overdose rates have far surpassed the provincial average. Crabtree said she hopes the memorial will inspire action and raise awareness about the importance of harm reduction services, which help save lives by providing support to those struggling with substance use.
"It [the opioid crisis] does impact us all .... and it's going to drastically impact us with the closure of CTS [consumption and treatment services],” said Crabtree.
It [the opioid crisis] does impact us all .... and it's going to drastically impact us with the closure of CTS [consumption and treatment services].
Kayla Crabtree, Co-Founder Substance Overdose Prevention and Education Network
Supervised drug consumption sites are spaces that allow individuals to safely use drugs while being monitored by trained staff to prevent overdose and aid in overdose recovery. The Ministry of Health decided to discontinue its funding for CTS and safe consumption sites across the province and they will be closed by March 2025.
"But without those services in place, it's going to be everyday community members, parks, parking lots and public businesses who are going to experience the traumatic side of the drug poisoning crisis," said Crabtree. "So for me . . . this memorial continues the conversation about this to keep these services in place that make such a massive difference."
The memorial installation at 541 Eatery & Exchange will remain on display as a permanent tribute to those lost and a reminder of the need for ongoing advocacy for harm reduction. Crabtree said she hopes that by seeing the butterflies, more people will engage with the issue and understand the importance of services like supervised consumption sites and naloxone distribution.
“Reduction is a broad spectrum of different services with the goal of supporting people where they are at until they decide to make a decision,” said Crabtree. "Not everyone uses drugs their whole life, but if they die the one time they use it, then they never get a chance to try and be sober."
Not everyone uses drugs their whole life, but if they die the one time they use it, then they never get a chance to try and be sober.
Kayla Crabtree, Co-Founder Substance Overdose Prevention and Education Network
The memorial will continue to inspire conversation and advocacy around harm reduction in Hamilton, serving as a lasting symbol of the community’s grief but also its commitment to action. Those who wish to visit the installation and pay their respects can do so at 541 Eatery & Exchange, where the butterflies will remain on display to honour those lost to the opioid crisis.
The recently targeted billboard at Hamilton Artists Inc. will be left up as a symbol of resilience
On Sept. 29, 2024, Hamilton Artists Inc. shared on Instagram that their billboard at the corner of Cannon St. W and James St. N had been targeted by vandalism. “This graffiti began with a transphobic meme taped onto our billboard, moving to transphobic comments written in sharpie, until finally ripping the billboard all the way across,” reads the statement.
Hamilton Artists Inc. reported the vandalism as a hate incident via the Hamilton Anti-Racism Resource Centre's online form.
Hamilton Artists Inc is a not-for-profit, artist-run organization which facilitates arts programing such as workshops, lectures, and gallery exhibitions. The “Trans Lives are Sacred” billboard was created as part of a billboard exchange with The New Gallery in Calgary in response to an increase in anti-2SLGBTQQIA+ legislation in Alberta. Non-binary illustrator Ris Wong was commissioned to create the art piece, which was installed this past summer.
Wong shared with the Silhouette that they were excited about having their artwork displayed in Hamilton. “I think because I move around and stuff, understanding the idea of space and trans folks needing to create that community space ourselves and [connect] with each other ... It was really cool to know across the country that there [are] these artist spaces, there’s these spaces that folks are trying to create and that my piece could be so simultaneously far away from where I’m physically located but also be able to be displayed somewhere else where there’s other community members living,” said Wong.
It was really cool to know across the country that there [are] these artist spaces, there’s these spaces that folks are trying to create and that my piece could be so simultaneously far away from where I’m physically located but also be able to be displayed somewhere else where there’s other community members living.
Ris Wong, artist
The illustration for the billboard was inspired by a piece Wong created for Kait Hatch’s “Sacred Love/Sacred Lives” project. Wong, along with other artists who are trans, queer, or disabled, have contributed digital artwork featuring phrases such as “Trans Love is Sacred” and “Disabled Lives are Sacred” for Hatch to embroider.
The illustration depicts vines with thorns and flowers and the words “Trans Lives are Sacred” and “Trans Joy is Sacred.” “Thorns are very resilient. Plants grow thorns because they want to protect themselves. It’s a natural way of evolving to be a defensive measure ... it fit really well together with the imagery,” said Wong.
Wong is currently located in Vancouver and said they heard about the vandalism over email.
“I think it’s quite common for murals and things that are in public spaces to have people write on it. I expect a sort of interaction with things like this,” said Wong. “It was both unsurprising but also kind of shocking [that] someone was so angry or felt so wronged by something that probably didn’t really affect them.”
It was both unsurprising but also kind of shocking [that] someone was so angry or felt so wronged by something that probably didn’t really affect them.
Ris Wong, artist
“It feels like the more visibility that queer and trans folks have gotten, the more of a target we’ve become. We want to fight for that visibility of being out there and knowing that we exist. But also now that we’re so visible, now we can be these very very prominent targets of policy, backlash and hate," said Wong.
After discussing the matter with Wong, Hamilton Artists Inc. decided to leave the billboard on display and add further to the artwork. “I don’t think that removing it or hiding that this happened is a way of showing resilience. I actually really love the idea that it doesn’t really matter. I expressed in the work that vines grow back. Things stay, they’re resilient, they resist being removed,” said Wong.
“It’s a good thing having the billboard stay there with [the] damage and having other community members work around it or over it. There’s this statement that you can try to remove us and you can damage and enact this kind of violence but we’re still here, we still exist and you can’t do anything about it. Our community stands together in spite of it,” said Wong.
There’s this statement that you can try to remove us and you can damage and enact this kind of violence but we’re still here, we still exist and you can’t do anything about it. Our community stands together in spite of it.
Ris Wong, artist
Wong noted that there are plans to invite a local artist or an arts collective to work around or over the damage. The billboard is currently on display at Hamilton Artists Inc. located at 155 James Street North.
Header image: Hamilton Artists Inc. executive director Derek Jenkins.
Hosted by local artist and McMaster alumna Julianna Biernacki, this free talk series gives artists a chance to share their creative processes
Open Window Artist Talks is a talk series that runs bimonthly at Rooney’s Cafe and was an event featured at Hamilton’s Supercrawl. At this event, artists are given the opportunity to speak about their craft, creative process and artistic journey.
Supercrawl is an annual festival showcasing many mediums of art, talent and culture which this year took place from Sept. 13 to Sept. 15. In partnership with the Hamilton Public Library, Julianna Biernacki hosted the Open Window Artist Talks series. This was a two-day event that happened on Sept. 14 and 15.
Julianna Biernacki is a local textile artist and McMaster University alumna. After graduating from the McMaster Studio Arts program in 2021, she missed the occasional artist talks she had during her undergrad. "In school I really enjoyed going to the artist talks that professors would bring in the program. Once I graduated and I was doing my own thing in the Hamilton art community, I noticed there was nothing like that going on," said Biernacki.
In school I really enjoyed going to the artist talks that professors would bring in the program. Once I graduated and I was doing my own thing in the Hamilton art community, I noticed there was nothing like that going on.
Julianna Biernacki, Founder Open Window Artist Talks
"I was catching up with a friend one day, I told her about this and she said that I should just run my own artist talks," stated Biernacki. This conversation eventually led to the creation of the Open Artist Talk Series where attendees can have an open and comfortable discussion with featured artists about their creative journeys.
When Biernacki initially approached Rooney’s Cafe, she noticed Rooney's already hosted events after hours and was integrated in the Hamilton community. "I reached out to Rooney's and they let me host an event there. Lots of people showed up, it was a fun time and they kept letting me host them after that," said Biernacki. "The first one was December of last year, December 2023."
This year, Open Window was able to take place at Hamilton's annual Supercrawl. "For Supercrawl, I was put into contact with one of the organizers. She said I could run the event there and put me in contact with the library," said Biernacki.
This recurring event gives Hamilton residents and visitors a chance to be inspired by local talent and unique artistry. "Hearing someone talk about something that they're passionate about and spend hours doing is just so inspiring," said Biernacki when asked about the impact of her series in the community. "It makes me want to leave Rooney's after the talk and go straight to the studio," said Biernacki.
Hearing someone talk about something that they're passionate about and spend hours doing is just so inspiring.
Julianna Biernacki, Founder Open Window Artist Talks
These talks were designed with an informal and open format, allowing attendees to engage directly with the artists. "Rooney's also stays open for a duration of the talk so people can get a tea . . . it's also a BYOB event if people want to have a drink with friends," said Biernacki.
This setup encouraged a dynamic exchange of ideas and insights in a cozy environment, providing the audience a chance to ask questions and gain a deeper understanding of the artists' creative processes.
Biernacki’s goal with the talk series is to ensure that these events remain accessible to everyone, which is why they are always free to attend. "I wanted to make sure the events would be free so they'd be accessible for everyone to come," said Biernacki.
I wanted to make sure the events would be free so they'd be accessible for everyone to come.
Julianna Biernacki, Founder Open Window Artist Talks
By providing this platform, Biernacki aims to foster inspiration and dialogue within Hamilton’s artistic community. The talks also serve as a bridge between emerging and established artists, creating valuable networking opportunities and fostering a sense of community among art enthusiasts.
"I'm just really lucky that Hamilton has so many talented artists. It really feels like I'm pulling from an endless bag of names," said Biernacki when asked about finding new featured artists in each Open Window event.
I'm just really lucky that Hamilton has so many talented artists. It really feels like I'm pulling from an endless bag of names.
Julianna Biernacki, Founder Open Window Artist Talks
Julianna Biernacki’s initiative highlights her commitment to making art accessible and engaging. For those interested in experiencing these enriching discussions and exploring Hamilton’s vibrant art scene, attending future Open Window Artist Talks is a fantastic opportunity. Keep an eye on upcoming events through Biernacki's Instagram to catch a glimpse into the studios of some of the most exciting local artists.
