This Halloween, The Westdale screened the 1975 cult classic, The Rocky Horror Picture Show, with an extra special drag pre-show with Hamilton drag performers

By Naomi Moshe, Arts & CUlture contributor

The Rocky Horror Picture Show has been drawing in audiences worldwide for over 45 years for a reason. The cult classic film is not only jam packed with fun, but it is also a landmark piece of cinema for the 2SLGBTQIA+ community. The film exudes the message of radical self acceptance, and being unafraid of the hidden desires that live deep within all of us––a sentiment that the queer community of the mid 1970’s desperately needed to hear. As a result, midnight screenings of Rocky Horror became safe spaces for the queer community to socialize and connect with one another at a time when simply existing as a gay person in broad daylight was a dangerous act.

When I heard that The Westdale was screening Rocky Horror on Halloween night, including a special drag pre-show with local Hamilton drag performers Jessie James and Karma Kameleon, I knew I needed to go. Besides, is there any better way to spend Halloween night than heckling profanities at a giant screen surrounded by hundreds of other people? 

The atmosphere at The Westdale was, in a word, electrifying. Of course, crowds of people dressed up as characters from the movie. But more importantly, people were genuinely excited for the show, even though most people in attendance probably have seen this film more times than they could count on both hands. The energy was infectious––the entire theater was buzzing with anticipation. 

The drag pre-show, hosted by Jessie James and Karma Kameleon, was a blast. Karma and Jessie performed campy lip syncs of songs from the movie’s soundtrack, including “Dammit Janet” and “Touch-A, Touch-A, Touch Me.”  The highlight of the night for me was Jessie’s incredible live vocal performance of “Sweet Transvestite.”  I had the pleasure of speaking with Jessie shortly after the event to get some insight on the importance of nights such as these for Hamilton’s queer community. 

“Visibility is so important. I didn’t see myself growing up, and I struggled a lot with that. Being able to put on public events where people can come see us be explicitly queer, it’s the first step in having a conversation about [queerness.] It demystifies the queer experience. It brings a lot of joy into it,” explained Jessie.

When asked about her personal highlight of the night, Jessie said that it was when the whole theater got up and did the Time Warp with her and Karma. “To look out into the audience and see everyone standing up and dancing along…There [are] very few words I could use to describe the energy you feel from that. It’s almost addictive in a weird way,” said Jessie. 

The Rocky Horror Picture Show continues to bring together people from all walks of life, even 45 years after its release. And, for Hamilton’s LGBTQ+ community, events like these create space for authentic self expression and unapologetic queerness. 

Photos C/O Kyle West

By: Andrew Mrozowski

Concluding McMaster’s Pride Week, the Pride Community Centre in conjunction with Queer Outta Hamilton, put on one of Hamilton’s only open stage drag show at downtown’s Sous Bas. With the turnout being so large that a line extended down the block, this was truly a night that people were going to be talking about for a while.

As I went down the stairs into the club, I was immediately met with the loud chatter of hundreds of people in a dimly lit room. The music played so loud that I could feel it vibrating up from the floor into my bones. Host Troy Boy Parks, a Guelph-based drag queen who knows how to control a crowd, stood on a single runway connected off the main stage.

Drag herstory begins in the mid 1900s during a time when homosexuality was prosecuted. Drag was used to escape the harsh realities of being an outcast of society. Only being practiced at clubs within the back corners of cities, queens would perform allowing the LGBTQ+ community to play with the concept of gender and sexuality in a time when they were not allowed to do so.

[spacer height="20px"]Drag was also the community’s reaction to freedom of speech during a time when it was hard to come by. Instead of picketing, they chose to stand up in an elegant way, a way that people would talk about for years to come.

As the LGBTQ+ community became more socially accepted within the world, so did the concept of drag. Present day drag has evolved much more than its predecessor. Modern drag is very much an entertainment-driven performance in which a person dresses extravagantly to amplify overexaggerated male or female characteristics.  This along with the rise of drag in popular culture, through the reality TV show, “RuPaul’s Drag Race”, made drag culture mainstream.

“RuPaul’s Drag Race”, hosted by world-renowned queen RuPaul Charles, enables drag queens from around the United States to compete in various challenges to prove they have what it takes to be America’s Next Drag Superstar. Concluding it’s tenth season in 2018, along with four seasons of an all-star spin-off series, RuPaul has given queens, both amateur and professional, a platform to notoriety within not only the queer community, but society as well.  

[spacer height="20px"]As a member of the LGBTQ+ community, I know that it can be hard to find your own identity, especially in a society that is not always accepting of others. Some queens do drag because it is their way to express their feminine side in a society that prohibits showing that.

Queens also gain a lot of confidence being on stage performing in front of a crowd with a group of people appreciating them and what they do. This is in part thanks to the success of RuPaul’s Drag Race creating a positive look at drag culture. Confidence on stage can add to the person’s own confidence as they feel validated that others appreciate their craft.

Other queens look at it as creative medium. As a man who has only dressed up as a grandmother once for Halloween, I will be the first to tell you that make up is hard to do! Makeup takes a lot of artistic skill to achieve the look you have in your mind, and some queens find this self-expression to be a form of art in itself.

[spacer height="20px"]Every queen has a different take on how they want to deliver their drag extravaganza and what it should contribute to the LGBTQ+ community. Whether it be comedic relief to take the edge off or a rally to vote against a pumpkin president, drag will always be the first voice heard from the community and will always be ever-present.

Standing amongst hundreds of chattering people in a dimly lit room, my eyes flutter back and forth from the stage to the people surrounding me. Watching queen after queen putting the bass in their walk down the runway, I ponder on how we got to where we are today. If you asked me a year ago what I thought about drag, I would have said I don’t care for it.

Enter all my friends, both gay and straight, who didn’t stop raving about drag, I decided to give it a chance. What I ended up seeing was members of a shared community who didn’t care how others looked at them.

I saw members of a shared community who have so much love for one another. RuPaul ends each of her shows by asking contestants: “if you can’t love yourself, how in the hell you gonna love somebody else?” These are words that constantly flow through the LGBTQ+ community.

Drag creates a sense of belonging and safety because you are in an environment amongst people who feel the same way as you. At a drag show, I feel safe because I know that the people around me will always care and support me, as I would them.

Although Pride Week at McMaster must ‘sashay away’ for another year, the progress the community makes will stay and continue to be built upon.

To the future generations of queer youth coming to McMaster, I say this: do not be afraid to be who you are and share it with the rest of the world. Sometimes it seems unfair but be proud. Stand up and fight for what you believe in, but also remember to have fun too.

Be it through drag or another medium that may rise in the years to come, there will always be an audience there for you. To close with the immortal words of Mama Ru, ‘Good luck and don’t fuck it up!’

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