The Mapleside Musuem of Miniature Art supports local artists’ work by showcasing tiny zines with their unique perspectives on life
The Mapleside Museum of Miniature Art is a tiny art gallery located on Mapleside Avenue. The gallery operates on the same principles as a Little Free Library, where people are able to take and leave behind a book in little stands around neighbourhoods. In this case, art is displayed in the gallery and people are able to leave behind work, take some home or simply just take a quick look around.
Matt Coleman, founder of MMOMA, is a local high school art teacher with the Halton District School Board. As a Hamilton native, Coleman started the MMOMA during the pandemic as a way to facilitate connections within the community using art.
On Mar. 4, the MMOMA opened its first-ever miniature zine show where people are able to look at tiny-sized magazines created by artists. Zines are unpublished publications made by artists for the purpose of highlighting personal opinions and perspectives. They are self-published by the creator and are often less formal in nature.
Coleman was inspired to create a zine show by the zine symposium organized by the Zine Club at Hamilton Central Branch library. Coleman thought the event was a fun way to share zines and art with others and promote a sense of community.
“The ultimate purpose [of the zine show] is to build community and have a moment of connection to other creators and other artists . . . [To] read these little zines and take one with you [to] brighten your day [is] a small but important goal,” he explained.
“The ultimate purpose [of the zine show] is to build community and have a moment of connection to other creators and other artists . . . [To] read these little zines and take one with you [to] brighten your day [is] a small but important goal."
Matt Coleman, founder of MMOMA
The miniature zines showcased through MMOMA includes work done by Coleman’s high school students as well as contributions from the local community and beyond. Visitors to the MMOMA can drop off any zine they create while also taking a copy of someone else’s zine home with them.
What makes MMOMA’s zine show stand out from other zine symposiums is the miniature nature of the size of the art and the personal content expressed in them.
“The unique part of [the MMOMA zine show] is the diminutive stature of the scenes. We're going to put up with the display of all the miniature scenes that people have started to drop off,” said Coleman.
Already, the zine show has received wide geographic interest, with international artists mailing in their pieces to Coleman.
“I've been communicating with a few people in California; someone else in in Brussels, Belgium, wants to participate [and] someone else in Korea,” Coleman stated.
Coleman encourages people to check out the show as a fun, interactive way to look at the various experiences and forms of expression. It is a new way to learn about unique perspectives and share art.
The zines can also be a good way to support the artistic side of Hamilton and hear people’s opinions and views on life.
Art Gallery of Hamilton’s new exhibit shows the process behind digitizing art
Art has early origins and continues to be relevant today. It’s important to collect and record art as a way of documenting history. However, what happens when art is documented but not immediately put up for display? They become a part of a collection of pieces hidden from the world.
The Art Gallery of Hamilton aims to address this issue with its Collections Digitization Project which began in Spring 2022 and will conclude in Spring 2024. The project aims to digitize many of the works kept in the vaults at AGH.
Andrea Howard, digitization collections assistant, emphasized that as the AGH is a publicly funded resource, it’s important to provide the public access to pieces which aren’t always on display. Moreover, the project team is prioritizing putting on underrepresented artists, such as Black, Indigenous and Persons of Colour and women artists.
“It is a really necessary project because we have well over 10,000 objects in our collection. The physical space that we have here at the museum means that we can only display 5 per cent of those works at a given time. That means the bulk of our works are in a vault and they're hidden from the public,” said Howard.
“It is a really necessary project because we have well over 10,000 objects in our collection. The physical space that we have here at the museum means that we can only display 5 per cent of those works at a given time. That means the bulk of our works are in a vault and they're hidden from the public."
Andrea Howard, digitization collections assistant
The project is funded by the Museums Assistance Program, specifically the Digital Access to Heritage, which is a program of the Department of Canadian Heritage. The funds were important for hiring people for the project, obtaining necessary licenses and receiving commissions and equipment.
The project has many aspects, one of which is focused on showcasing the process of digitizing art works. This exhibition will begin on Feb. 11, 2023 and will include installations and a behind the scenes look at the digitization process. Howard’s hope is to connect with the general population and show the public how much work goes into digitization.
“A part of this project has become an exhibition, that is going to be launching on [Feb. 11]. That exhibition is in part a digitization lab [and] part installation where we exhibit works and show some kind of hidden digitization labor that occurs in art museums,” said Howard.
“A part of this project has become an exhibition, that is going to be launching on [Feb. 11]. That exhibition is in part a digitization lab [and] part installation where we exhibit works and show some kind of hidden digitization labor that occurs in art museums."
Andrea Howard, digitization collections assistant
Howard believes the Hamilton community will find the exhibit to be engaging. She’s worked closely with the AGH docents, who have shared positive feedback for the exhibit.
One of their more recent programs at AGH called Fridays at Four gives those curious a virtual look at the AGH’s permanent collection. Given the docents extensive knowledge on the collections within the museum, Howard is aware their feedback is vital. They’ve expressed how happy they are to see more pieces being digitalized and how they are being shared with visitors.
“I know from my experience with the docent . . . that they’re really excited about the growing number of images they are seeing and having access to. I know we have been getting a lot of engagement on social media with our images and I’m excited to see where it jumps off from there,” said Howard.
Currently, the AGH is working on three dimensional printing as part of the digitization project. The goal of this is to have art pieces 3D printed as a way to engage visitors in a new way. It will also allow for pieces to be preserved and protected, which is valuable in the storage of artworks.
“Our hope is to not only create 3D renderings that will live online, but also from those 3D renderings have some of our works 3D printed. That’ll be a really great way for the programming department to pass around our objects to feel,” said Howard.
The AGH hopes that people will come together to learn about the complex tools used to preserve artwork. They hope the project itself will be able to highlight work that isn’t always displayed and allow for work to be presented in a new format. The exhibit is one of the first ways in which visitors can see the direct process that goes behind digitizing works.
Jessica Yang / Multimedia Assistant
These entrepreneurs are adding a feminine touch to the arts and culture business industry in the city
Being a successful entrepreneur is already a difficult enough career. However, for aspiring women business owners, there can be many more obstacles and challenges due to the lack of resources and opportunities often arising due to gender inequalities.
Fortunately, there are many ways to support women and their businesses, starting with being aware of what is available in your community and purchasing their products.
These four women-owned businesses in Hamilton highlight the steel city’s arts and culture and work towards making the world a better place, one sale at a time.
studio k2
Located in downtown Hamilton on Parkdale Avenue North, studio k2 is an art gallery dedicated to supporting local artists and providing them with a place to showcase their work. They also provide multiple workshops and retreats for artists to work together, receive feedback, improve their work and make new connections.
studio k2 accepts artists of all levels, from beginners to experts, to work creatively in a collaborative and expressive environment. They even offer team-building exercises, workshops for corporations, art lessons and experiences for the public like paint nights for couples and friends.
Founded by Karen Klucowicz, a fine art painter with experience in marketing, advertising and interior design, studio k2 has allowed her to realize her vision to grow the art world while supporting fellow artists in a safe and encouraging space. If you are interested in attending a workshop or showcasing your art, this is certainly a gallery to check out!
East Bay Beads
East Bay Beads is an online store founded by Nadine Farkas and a group of women to connect people with a love for beading and allow them to collaborate on projects. They sell everything from tote bags and buttons to materials for creating beaded art like beads and tools.
East Bay Beads’ vision is to create high-quality, sustainable, locally sourced beads for people and promote their art. Their work is an example of craftivism, a form of activism, where environmentalism, solidarity and feminism blend to focus on crafts to create social empowerment, mindfulness, expression and negotiation for people.
If you’re looking for a new hobby, beads for jewelry or art or a way to support craftivism and the company’s vision, East Bay Beads’ products are what you need.
Studio Objective
Located in southern Burlington and on the border of Hamilton on Mountain Grove Avenue, Studio Objective is founded by Isabelle Ford-Roy and Cassandra Giansante. The company aims to support women’s equality and safety while also working to improve the environment. Five per cent of their profit goes towards women’s and environmental charities in their initiative, such as Greenpeace Canada and Women for Women International, to help make the world a better place.
Ford-Roy was previously interested in geology before discovering graphic design in high school. She is now the lead graphic designer, working on the company’s social media and specializing in eco branding, print and packaging. Giansante was a former film school student, dropping out to become the lead web designer and use her passion to rebrand clients’ websites and images.
As a web design company helping clients rebrand and transform their image, Studio Objective covers everything from brand identity to designing web pages. They even go beyond technology and brand design for packaging, print and photography. If you’re looking to rebrand your company, or just create an online presence with eye-catching and clean designs, this company is what you’re looking for.
Darling Donuts
Darling Donuts is a small online baking business selling gourmet donuts with vegan and gluten-free options tailored to individual preferences. The donuts are freshly baked on the weekends and are available in the form of donut towers or with customizable messages or images for any occasion.
Darling Donuts was founded by Alyssa Lancia after a life-long passion for baking. When she developed a gluten and dairy intolerance in university, Lancia turned her focus to vegan and gluten-free baking treats. Darling Donuts began as a fun way for Lancia to express her passion for baking and it grew into the business it is now. If you’re interested in pre-ordering a tasty treat made exactly the way you like it, Darling Donuts is the bakery for you.
Women-owned businesses deserve to be recognized for their efforts as well as what they do for their community and women's empowerment in entrepreneurship. These small businesses are a few examples of projects happening around the city for women and the community by women.
Photo C/O Motel
By Adrian Salopek, Staff Writer
News of the first COVID-19 related death in Hamilton came just two weeks ago. The outbreak has had devastating effects on communities across Canada, and Hamilton is no exception. Local businesses and members of the Hamilton arts community have suffered economically, as many have had to shut their doors to prevent the spread of the virus. However, in the midst of this stress and uncertainty, community members are coming together through acts of generosity and resourcefulness.
As all non-essential businesses were recently forced to close, most businesses across Hamilton have indefinitely closed their doors. Small businesses like Big B Comics (1045 Upper James St.), a local comic book store, have suffered major losses and so have their entire staff. For many, the COVID-19 outbreak has meant disappearing paychecks or even sudden unemployment.
“Our staffing needs were cut dramatically in the blink of an eye,” said Dylan Routledge, manager of Big B Comics.
However, businesses are not losing hope. Many businesses, Big B Comics included, have implemented new methods of serving their customers while taking all precautions to avoid spreading the virus.
“[We had to] be innovative and inventive in our approach to business,” explained Routledge, “We instituted a ‘door pick up’ system, wherein customers can collect their products at the door but aren't allowed to enter the store.”
Businesses within the food industry have also been stepping up. Motel (359 Barton St. East), a local brunch restaurant, created take-out packages for their customers. These allow customers to still enjoy their food while trying to give them a taste of the experience that they would have had in the restaurant.
“We created brunch packages that mirror the fun you would have in the restaurant,” said Chris Hewlett, owner of Motel. Hewlett and his team are now offering specials that include two entrées and a side dish. To further push the limits, the brunch restaurant is also including decorative tropical decor, including palm leaves, cocktail beach umbrellas, and a light-up neon sign of your choice. The special and regular menu items can all be picked up curbside to help reduce contact between customers and employees.
Businesses and community members alike are not only being resourceful in this dark time, but are also coming together through acts of generosity. It is often said that in the hardest of times, the best in people is revealed, and the actions of many in Hamilton have lived up to this. Vintage Coffee Roasters (977 King St. East), a local family-run coffee shop, has witnessed this in both their own customers and the wider Hamilton community.
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“I have been seeing so many posts on social media of [both] our customers and community members reaching out to neighbours and helping out with food purchases or other errands,” explained Lisa Stanton, Vintage Coffee Roasters owner. “Many of our customers were buying beans to be delivered to their friends who may be in quarantine.”
Some businesses have even attempted to give back to the community by making tangible efforts to help those at the front lines of the fight against COVID-19. A notable example of this is Motel with their generous support for healthcare workers.
“We also decided that at this time we wanted to do business mixed with ways to help our community,” said Hewlett, “We offer call ahead free coffee for healthcare workers. We are also using our suppliers to get produce packs to people so they can purchase eggs, bread and fresh produce.”
While local businesses have suffered major financial losses, the arts community has also suffered due to the outbreak and closures. Hamilton Artists Inc. (155 James St. North), an art gallery downtown, had to close its doors to the public and spring exhibitions had to be cancelled. This was a blow to not only the gallery and the Hamilton community, but also to local artists.
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“I want to remind people that nonprofits and charities are struggling too, and that even small donations towards these organizations can go a long way,” stressed Julie Dring, Hamilton Artists Inc. Executive Director. "Many of the artist-run centres and arts organizations in Hamilton support artists by paying Canadian Artists’ Representation rates to artists. Donating to your local artist-run centre is a great way to aid artists who are experiencing lost income during this time.”
McMaster’s very own Museum of Art has also suffered in this stressful time, having to close its doors and cancel all events. This has not only affected the museum and its staff, but also McMaster students.
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“One of the most significant cancellations at this time is the annual student studio programme (SUMMA) graduation exhibition,” explained Carol Podedworny, the museum’s director. “[It is] cumulative, following four years of study for the students . . . We engage a guest curator for the project from the Canadian arts community — this year, local artist Stylo Starr. It is disappointing that the students will not experience this event.”
Much like their business counterparts, the arts community has had to become resourceful in order to survive the pandemic.
“I think art can be a balm,” said Podedworny. “I think in the COVID world, art museums through a virtual presence (exhibitions, programs, inter-actives, didactics) can provide answers, reflections and opportunities for wellness and self-care.”
It is saddening to see so many businesses, art services and community members negatively impacted by COVID-19. On a positive note, much good has come from this dark time as Hamiltonians make efforts to support one another. Here’s hoping that we don’t forget the lessons learned and the efforts that people have made to help one another.
When I say “journey”, what do you think of? You might think of an expedition into the lush rainforests of the Amazon, or maybe the popular rock band. But what if I told you there was a deeper meaning?
The passage of time can be seen as a journey through history, documenting each detail and every change. Hamilton is known for its history of producing and manufacturing steel, giving it the nickname, “The Hammer”. With the rise of the technological age, steel mills closed down around the city giving rise to other sectors such as arts and culture.
According to Ernest Daetwyler, an Swiss artist based an hour outside of Hamilton, we experience journeys all around us, ranging from our own individual lives to a much grander scale of the world itself.
“Throughout life we go through cycles and there’s a lot of uncertainty,” said Daetwyler.
This thought eventually inspired the beginning of “The Boat Project/everythingwillbefine”.Two years ago, Daetwyler started collecting driftwood that washed up on the shores of the Great Lakes, bringing the pieces home with the intention to create a memoir of their journey.
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“[Driftwood] has its own memories. It comes from the forest, the trees, the branches. It’s a natural product. The way it’s grown is very specific to each piece and how its journey has been throughout the turbulent water with the waves, the light, the wind, everything has its history. Every piece of driftwood is different,” said Daetwyler.
Around the same time, Carol Podedworny, the McMaster Museum of Art curator, approached Daetwyler to do a commissioned piece for the garden space located directly in front of the museum, which prompted Daetwyler to start thinking about the city and its history.
“Hamilton is defined by the harbour and its industrial past. Hamilton is a steel town so originally I thought more of doing an industrial art piece — a sunken ship out of steel but then I came up with a more modern concept,” said Daetwyler.
With hundreds of driftwood pieces at home and still thinking about industrial boats, Daetwyler looked to ancient European history to add another layer to his piece. The artist started to develop a concept for a driftwood boat pulling elements from a variety of different ancient naval ships across Europe.
“The driftwood boat is more of a new form of transformation, a new form of journey for a new city that is developing,” said Daetwyler.
Construction on the boat began in Daetwyler’s studio but quickly became much larger than anticipated. The base, comprised of a welded chassis, was made to support the weight of the driftwood beams that would form the underside of the vessel. Smaller pieces of driftwood were then bolted and screwed together to rest on the frame. This completed “The Boat Project” at a final length of 27 feet.
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Transporting the vessel was no small task. It had to be brought to McMaster’s campus in on a flat-bed trailer and lifted with a crane so it could finally ‘dock’ at its new home.
As Daetwyler developed and completed the boat, he started to think about how the boat could apply to students at McMaster as well — what was their journey?
“I was thinking more about the idea of venturing into something, the idea of going on a journey — going on a voyage, which is something for the students of McMaster [can relate to] going to university. It’s a big step and journey with risk involved,” said Daetwyler.
The artist reflected on his own past journey, recounting a time when he was in Zurich, Switzerland and how “The Boat Project” gained its second title, “everythingwillbefine”. The first time he saw this second title was on the rooftop of an industrial building, in German as “alles wird gut” in the 90s. Daetwyler was intrigued by this saying, and it stuck with him as a statement that is open to multiple interpretations.
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“One student at McMaster told me that she went almost every day to the boat because she understood that ‘everything will be fine’ was a very positive encouragement . . . it can be very much understood in that way as sort of a send off to somebody who is going on a journey and you can say ‘it’s gonna be fine, it’s gonna be okay, you’re gonna be alright’,” said Daetwyler.
The vessel is due to set sail away from the Museum of Art’s Artist Garden in 2020; however, the impact that it has left on some students will last a lifetime.
University is much more than a time to get an education. It one of the biggest journeys that most will go through in their lives. A journey through self-discovery, where you will push yourself outside of your comfort zone and figure out what you truly want from life. “The Boat Project” is a reminder that everyone is going through a journey and in the end, “everything will be fine.”
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A trove of paintings is held on McMaster’s campus. Monet, Matisse and Van Gogh are just some of the artists in the collection. Staples in galleries around the world, immortalized in art prints or socks, these artists have reached the pinnacle of the art world, but also having a place in Hamilton.
The collection of European masterpieces comes from Herman Levy, a Hamilton businessman and art lover who once took art history classes at McMaster. Levy was a jeweler by trade and in his spare time an engaged member of the McMaster and Hamilton art communities. His interest in European art prompted him to collect famous works from the canon throughout his lifetime, including German expressionists and French painters.
Levy donated his private collection to the McMaster Museum of Art in 1984, and upon his death in 1990 left a bequest so the collection could be expanded. The accumulated art works now belong to McMaster and have toured the world, a testament to the collection’s prestige.
The Levy collection’s return from a cross-Canada tour brings 185 European and American art works back to their Hamilton home. But first the works had to be curated into an exhibit that would resonate with viewers nearly 30 years after Levy’s death. Faced with this challenge, Pamela Edmonds, the senior curator at the MMA, interpreted the pieces to provoke new ideas and interpretations in the homecoming exhibition.
French masters Monet and Matisse now hang on the white walls of the MMA. Monet’s painting of Waterloo bridge shows an industrial scene against a hazy sky, not unlike the real scenes of Hamilton’s shores. Except this image is worth millions. Another work by the impressionist sold for $110.7 Million in May 2019.
But cost doesn’t necessarily equal value.
“The Monet is something I’ve been told is in demand all the time for people to see, but is it more about the cachet or whatever around the artist, or is it the actual object. And so I was trying to play with the hierarchy — of why something if it’s worth $50 million makes it more important? Does it really? . . . For me, I could be just as connected to something if I don’t know the artist,” said Edmonds.
Levy’s donations reflected his art interests: artists are predominantly European, and almost exclusively white. Edmonds, throughout her career as a curator, has questioned why galleries and exhibits didn’t seem to reflect perspectives beyond the western canon. Without curation, dominant voices within the art canon remain unchallenged, despite representing very few experiences captured in the visual form. This prompted the curator to consider how to include more works from the long history of non-western visual arts in the newest presentation of the Levy collection.
The latest exhibition of the collection, it is from here that the world unfolds, which opened Aug. 24 and will run through Dec. 14 2019, prompts viewers to reconsider the familiar art works.
In this exhibition, the big names in the Levy collection are accompanied by artworks that speak to the gaps of a history without much diversity. Contemporary, modern and historical works come together to create an aesthetic experience that contradicts the elitism of the art world. It doesn’t pretend to represent all of art history, but nods to what is missing.
Reflecting on her curatorial practice, Edmonds says, “it was a great opportunity for me to bring together a show . . . from a lens that critiques that canon but still does so respectfully — these are amazing artists — but trying to put a spin on it that’s questioning the way that art has been presented in that linear, universal, humanist way.”
The exhibit, titled it is from here that the world unfolds goes against curatorial convention by avoiding linearity. It doesn’t present a history. Instead, it presents moments in time, space and aesthetic perspectives that speak to one another and to the viewer. That’s what Edmonds thinks that art spaces should be about — a conversation between the art, creator and the person experiencing it.
“The museum, the library, those are kind of the few spaces left that you can congregate to talk about ideas, or to engage in ideas. And I think that specifically within the university, we should be having an engaging conversation around art and ideas … I wanted to take a collection that was maybe more historic but bring it into the 21st century.”
The MMA holds a unique position compared to other galleries and museums in Hamilton. Situated on McMaster’s campus, the MMA has a responsibility to the students, staff and community members who live, work and study here. Edmonds wants students to feel comfortable coming through the front doors. The rules and etiquette of galleries-past do not need to deter visitors. No longer should art spaces exist as stuffy and exclusive places, they should exist for everyone, equally. At the MMA, the quiet is welcome, but not mandatory. As long as you don’t touch it, the art is yours to engage with however you like.
As the world moves faster and public spaces are closed, the museum is one of the last few spaces that exist for the public good. It is one of the few places that are quiet, free of charge and open for all.
Museum goers can expect to see historic works alongside yarn-like sculptures and red squares. If the viewer finds themselves frustrated, then Edmonds says: good. She wants to set up questions without answers and evoke feelings from viewers. Even negative emotional reactions are good, because it means the art is speaking to someone.
For students, the MMA could be a space to decompress or learn something new — but it’s up to you. Edmonds encourages on-lookers to take what they want from the exhibit, even if there isn’t any further engagement beyond viewership.
Visiting it is from here that the world unfolds, time periods and emotions collide. Looking at the giant canvas of Wailing Women (1990) by Ken Currie along with Sun Ra’s chaotic jazz accompaniment, there is a confrontation of eras and aesthetics. The interplay is jarring, and be advised, so is Currie’s painting of a mob of dismembered women. But it is also a reminder of the non-linearity of the exhibit.
Just around the corner from Currie’s work is a set of 16th century religious icons beside a mid-dentury mixed-media piece that is almost erotic and references a variety of eras. The exhibit is jarringly ahistorical, but purposefully so.
Museums are places for the free flow of ideas and dialogue around art and the world in which it is created. The MMA is a place to see important works from the European art canon, but it also gives students, staff and community the opportunity to think about dominant narratives in the art world. Levy’s legacy is held in trust for present and future generations, and will continue to spur creativity and criticism for years to come.
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By: Alannah DeAngelis, Contributor
Dates can be a fun way to get to know your partner better and try new things together. Between school, catching up on all your Netflix shows and hanging out with your friends, it can be tough to make time for date nights. Try out these five date ideas where you can stay on campus and avoid breaking the bank!
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Planetarium Show
The W. J. McCallion Planetarium, in the basement of BSB, is an out-of-this world date idea! Shows run Wednesday nights and there is a new theme each week. Learn about outer space, stars, planets, comets and more. For more information, check out the McMaster Planetarium website.
Cost: $7 per person.
Photo by Matty Flader / Photo Reporter
Video Game Room in Lyons New Media Centre
Get your game on in the Video Games room on the 4th floor of Mills to find out which of you is the “Mario Kart” champion! There are five game consoles that you can choose from: Wii, Xbox One, Xbox 360, PS3 and PS4. They offer many games to play, all of which are available to rent for free. Bookings for this space can be made for up to 2 hours per day for all McMaster students.
Cost: Free! Just bring your student card to rent the controllers and games.
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McMaster Museum of Art
Check out some cool art with your partner at the McMaster Museum of Art right on campus. The museum is recognized internationally for its European paintings, drawings and prints. It is also known for its specialist collection of early 20th century German prints. This highly notable museum is just steps away from the Student Centre.
Cost: Pay what you can (suggested donation is $2).
Silhouette Archives
Trivia Night at the Phoenix
Test your knowledge at the Phoenix Bar and Grill’s Trivia Night, which happens every Tuesday at 7 p.m.. The theme changes each week, so you are sure to never be bored. Top teams will win gift cards to the Phoenix; perfect to use for another date night!
Cost: Free when you purchase food or drinks.
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Hike at Cootes
McMaster is surrounded by beautiful hiking trails with breathtaking views. Go for a hike at Cootes (start at the trail behind the Alpine tower) and explore what nature has to offer in McMaster’s backyard. Notably, the Sassafrass trail includes a lookout platform onto Lake Ontario. Who knows, maybe you will even see some deer along the way!
Cost: Free!
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Point Of View
By: Matty Flader, Photo Reporter
We’re taught from a young age that certain things in the world are constant. There’s a northern star in the sky, a brain in our heads and art for those who can’t use that brain towards “something more productive”. Yet, if you ask a group of people to take their own photos of the same thing, you’ll get a myriad of results. Suddenly, the illusion of some consistent reality is shattered. Our points of view dictate what we see and how we understand. It’s so easy to think that reality is a constant and tangible construct, but what can truthfully be said to be “real” without it first being filtered through the infinitely varying human perspective? Thus, reality can only fairly be understood as socially constructed through some sort of collective agreement. This is my visual recap of Supercrawl — the way I saw things. My contribution of “something more productive” to reality.
#unignorable
By: Cindy Cui, Photo Editor
Poverty, domestic violence, social isolation and mental illness. Sometimes, the most serious problems in our communities are the ones we don’t see. By ignoring these issues, we make it more difficult for those who are suffering to find and receive the help they need. Instead, these people feel silenced, suffocated and invisible. As communities, we can help … but only if we recognize that these problems exist — only if we give them our attention. It's time that we make such issues, circumstances and stories #unignorable.
By Olivia Fava, Contributor
Democratic art. These are the two words that I would use to describe “EMERGENCY Pt2., Structures of Action”, a 2019 Supercrawl installation that built off of its 2018 predecessor to focus on the perspectives of the everyday person.
Christopher McLeod, a McMaster studio art alumnus and the creator of this exhibit, was originally inspired by the general apathy he perceived from those around him. This informed part one of his project.
“Looking at things that happen around us in our communities, our cities, our countries, around the world…I’d say to myself, ‘Is no one paying attention? What do people care about?’ I didn’t know,” said McLeod.
McLeod’s only solution was to ask the people exactly what they did care about. A tall “emergency” beacon invited passersby to share their greatest concerns on any scale, from political to personal. According to McLeod, he and his team heard from about 1,400 people over three days during last year’s Supercrawl festival.
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The top three issues that were brought up in 2018 were safe streets, health and the environment. These formed the core of this year’s installation. While McLeod’s initial question dealt with what Hamiltonians were worried about, part two of his project asked a graver question: what are Hamiltonians willing to do about the core issues they had identified?
“Are we all just going to sit around and sort of watch what’s happening, or are we going to step up and try to make a difference?” asked McLeod.
This year, levels of action for each of the three issues were ranked one to five, from least to most involved. Like many others, I chose my level of action, signed my name on the corresponding colour of sticker, and stuck it to the beacon. Hamilton Youth Poets also performed spoken-word pieces on these issues, which were based on public submissions.
https://www.instagram.com/p/B2Z2LWkHbi0/
A high degree of public involvement in this project was very important to McLeod, as a way of drawing in those who might normally ignore these issues.
“I’m like a tool for society…my role [as an artist] is not to dictate. My role is: how do I create spaces, opportunities and experiences that allow a community to come together to have these conversations in a non-standard way?” said McLeod.
As I observed my sticker on the overflowing environmental side of the beacon, voices swirled around me. Kids were asking about road safety and friends were challenging each other to volunteer for the issues they were motivated to address. McLeod’s beacon stood in the middle of it all, literally and metaphorically shedding its light.
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Most Hamiltonians associate the weekend-long street festival, Supercrawl, with live entertainment and art installations. Flying above James Street North were giant colourful flags reading “deviate”, “subvert” and “resist” with the word “exist” on the back of each. Attracting vistors from blocks away, Flags asks what it means to exist within the twenty-first century, specifically as a queer person in Hamilton.
Adrienne Crossman is a professor of studio arts at McMaster University, but their journey began after finishing a master’s degree thesis at the University of Windsor. Their thesis project consisted of 15 small felt pennant flags, each a different colour representing queer and trans flags with words like “exist”, “postgender” and “neither/both” across the front.
“I’m subverting the medium of these little pennants that are often used for tourism or celebrating sports and I put words like “failure,” “deviate” or “resist”. That was a larger series . . . the one that said “failure” specifically was like an anti-varsity flag or celebrating this idea of failure or positivity of queerness,” said Crossman.
A year later and Crossman became a full-time professor at McMaster. Although they had previously visited Hamilton and recently moved for work, they had never exhibited any work in the city. They had an idea that would not have been possible without the festival backing their work.
“I’ve just been thinking a lot more about how to have more of an impact with my work. I’ve never done an outdoor installation before and I’ve never made work at this scale...It’s a new piece, new work, but also an evolution. It’s the second iteration of a similar concept. It also functions differently, there’s three flags, they’re much larger and they’re a different shape,” said Crossman.
“Flags” consisted of three different eight by five foot flags hanging from lamp posts. Crossman designed the colours, shapes and lettering, but hit the barrier that they cannot sew. They hired a seamstress to help with the task of putting together the large flags in order to debut in Hamilton for the weekend-long festival.
The queer community in Hamilton has had a turbulent history. Hamilton was home to one of Canada’s most recent bathhouse raids in 2004.
The raid created an uproar within the LGBT community. Questions of safety arose and led to a decline in queer spaces throughout the city. Currently, no designated queer space exists; however, many local businesses are welcoming.
Recent homophobic protests have put members of the Hamilton queer community on edge, leaving many to wonder about safety, a question that seems to be prevalent across many communities across the globe. Crossman hopes that their work continues the conversation on the path to resisting the oppression that faces the LGBT community not just in Hamilton but across the country.
“It’s just the continuation of a conversation. So the text reads “subvert”, “deviate” and “resist” as forms of resisting oppression but on the back where it says resist it more speaks to the fact that existing as a queer person, a visibly queer person or anybody that doesn’t suit the way that people might perceive as normal – just existing itself is a form of resistance which I think can be a very radical sentiment,” said Crossman.
Although three large, brightly coloured flags may look inviting during Supercrawl weekend, they hold deep meaning.
“A lot of my work has a trojan horse approach where you make something that looks fun but can spark or start a dialogue about something that is a little more serious,” said Crossman.
For Crossman and many within the queer community, “Flags” is just the beginning of continuing dialogue against oppression faced daily by Hamiltonians and others around the world. Although Supercrawl is Hamilton’s premiere arts and culture event, they engage with contemporary social issues to ensure they are bringing a new perspective to the city.
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