The Hamilton-based multimedia artist sat down with the Silhouette to talk about her new residency with the Hamilton Arts Council, mangoes and the power of zines
Sonali Menezes laughed over the phone when she confessed that her dining room table had been doing double duty, operating as both her eating and studio space. The Hamilton-based multimedia artist and creator of award-winning zine, “Depression Cooking,” had never had a studio of her own, due to the hefty price tag of her undergraduate degree. That all changed though when Menezes was chosen as Hamilton Arts Council’s newest Artist in Residence. The Artist in Residence program provides free studio space, among many other forms of support for artists.
“Having access to the studio space through this residency is really amazing because it actually allows me to have a dedicated workspace,” she said.
The studio also helped Menezes in building her latest exhibition, “Queen of the Fruit," at the Tangled Art Gallery. She used the provided studio space to build various sculptures for the gallery’s display cases. According to Menezes, the exhibition is a mixed media project dedicated to the mango and its culinary prominence within many Indian households. Painting, sculpture and audiovisual installations are present throughout the entire exhibition.
Though she experiments with many mediums throughout her work, Menezes takes a particular liking to zines, even describing them as her “first love.” When asked why, the artist explained her fondness comes from the unconventionality of the format itself.
“The reason I like zines so much is because they take artwork off the white wall of galleries and just put it directly into working people’s hands. They’re an accessible art medium,” she said.
The reason I like zines so much is because they take artwork off the white wall of galleries and just put it directly into working people’s hands. They’re an accessible art medium.
Sonali Menezes, Artist in Residence, Hamilton Arts Council
She hoped to continue this practice through her own work, going against the highly secluded and privatized culture of the art world as explained by Menezes, and instead making art an experience to be enjoyed by everyone.
Sonali Menezes will be creating in the Hamilton Arts Council’s and The Cotton Factory's residency studio from November 2023 to April 2024. To learn more about Sonali and her work, visit her website here.
C/O Olivia Brouwer
Hamilton artist Olivia Brouwer creates accessible artwork to bridge the gap between individuals of varying visual abilities
By: Serena Habib, Contributor
One of the major changes brought about by the current COVID-19 pandemic has been the shift away from physical contact touch in an effort to prevent transmission of the virus from surfaces. This shift, however, has also become a barrier for those who use braille to communicate.
Olivia Brouwer is a local Hamilton artist and the 2021 recipient of the City of Hamilton’s creator award. She has been creating art that expresses her experiences with blindness and is accessible to those with visual impairments. The pandemic has amplified the challenges visual impairment can bring and highlighted the importance of her work.
“Blind people cannot communicate as they did before,” said Brouwer.
Brouwer was raised in Mount Hope, Hamilton by a family filled with creativity. She has always loved art and when she entered the joint program in Art and Art History offered by University of Toronto Mississauga and Sheridan College in 2012, she knew she wanted to focus on painting. Focusing on oil painting, acrylics and watercolours with a specialization in printmaking, Brouwer realized during her third-year that her artwork revolved around a common theme: blindness.
For as long as she can remember, Brouwer has been partially blind in one eye. She wanted to produce work that responded to the questions her blindness implored her to ask.
“Especially in high school, it was hard to kind of talk about and I was just very self-conscious about it,” said Brouwer. “I just thought I'd make art about it . . . as a way to talk about my disability.”
“Especially in high school, it was hard to kind of talk about and I was just very self-conscious about it. I just thought I'd make art about it . . . as a way to talk about my disability.”
Olivia Brouwer, Artist
Brouwer was also drawn to the idea of how people perceive the unknown and over time, her work has also become more spiritual. After graduating, Brouwer realized she needed to analyze blindness for herself. In her work stitching braille Bible passages relating to parables about spiritual blindness, visual blindness is used as a metaphor for faith and spirituality. To Brouwer, this was about looking into herself to determine whether she was being spiritually aware and spiritually seen.
“It kind of reminds me of looking back on my life . . . looking back on all of these stories and trying to spiritually see what needs to change,” explained Brouwer.
As we emerge from the pandemic and begin to return to our previous routines, Brouwer’s collection can encourage us to look at ourselves and our lifestyles in an attempt to decipher what brings meaning into our lives. However, Brouwer’s current Contact Kits remind us to look beyond ourselves and explore with different senses as we return to routine and interact with our environment.
Each kit comes in a silkscreen-printed cardboard box. Inside the box is a painting; different mediums and tactile surfaces are incorporated into every painting. The painting is covered by a removable sheet of frosted mylar with a smooth, plastic texture. Brouwer cuts teardrop shapes out of the mylar and then embosses them in braille by carving templates on Lino blocks and punching them through the tabs. With 42 tabs in total, each tab has a word embossed in Braille.
Included in the kit is also a silkscreen-printed booklet with designated spaces for the tabs and a corresponding chart to decode the braille; people can interact with the piece by removing the tabs and writing out the message. At the end of the booklet, there is a section for individuals to journal about their experience with the painting. Mirroring the concept of the Rorschach inkblot test, a psychological test by Hermann Rorschach in which participants have different perceptions of inkblots based on their mental state, this is an opportunity to personally perceive an abstract conception.
With the artist’s statement and biography also included in the booklet and embossed in braille, these Contact Kits are accessible to those who are blind and sighted.
“[Both people who are sighted and blind] are kind of on an equal level; one’s not ones not experiencing it better than the other,” explained Brouwer. “I wanted to make it fun too, so people who are sighted can learn braille and just kind of have a respect for learning that from a blind person's perspective . . . just open their eyes about how they communicate and other ways of communicating.”
“[Both people who are sighted and blind] are kind of on an equal level; one’s not ones not experiencing it better than the other. I wanted to make it fun too, so people who are sighted can learn braille and just kind of have a respect for learning that from a blind person's perspective . . . just open their eyes about how they communicate and other ways of communicating.”
Olivia Brouwer, Artist
Looking forward, Brouwer is presently developing artwork that combines sight, sound and touch to share interviews she has conducted with individuals who are visually impaired. She translates the interviews into braille and then paints in braille on canvases that are paired with an audio soundtrack of the interview.
Through her work, Brower hopes to break down barriers and open our eyes to different methods of communication, providing us an opportunity to venture on an artistic and personal journey as we interact with artwork, braille and ourselves.
C/O Rania Saxena
Singer-songwriter Rania Saxena discusses her musical journey, passion for outer space, and upcoming EP
By: Edwin Thomas, Contributor
This article marks the beginning of Behind the Beat, a new series highlighting Hamilton-based music artists, their musical journeys and recent work.
Emerging singer-songwriter Rania Saxena’s creative journey began when she was very young. Growing up as an only child, Saxena took to making up games and drawing to keep herself entertained. Looking to explore new creative outlets, she also began taking guitar lessons. Her guitar teacher encouraged her to sing while playing to improve her technique, which unintentionally improved her vocal abilities as well.
In high school, Saxena surrounded herself in a group of friends who wrote original songs and performed at their school. Her peers inspired her to start writing her own songs. Her first few performances were as gifts for her close friends and family, with the most notable being a song she wrote and performed for her father’s birthday. She received a lot of praise from people attending the event for how relatable the song was, which encouraged her to continue writing and performing songs.
“I realized that music can not only be a way for me to express myself, but for other people to find some of their truth in my words . . . that was pivotal,” said Saxena.
“I realized that music can not only be a way for me to express myself, but for other people to find some of their truth in my words . . . that was pivotal.”
Rania Saxena, singer-songwriter
She continued playing original and cover songs for her friends and family, which eventually led to her performing original songs at her high school’s talent shows.
In 2018, Saxena began attending McMaster University’s Health Sciences program. She found the atmosphere to be very welcoming, encouraging her to grow and try new things. She found herself surrounded again by musically inclined peers as part of the Health Sciences Musical. She recalled the excitement and energy she felt performing in her first performance in 2019, and later on in her 2021 performance in BHScreentime. She considers her peers in the musical her family and an integral part of her university experience.
Saxena started publishing her music to Soundcloud during her time at McMaster, using the microphone on her earphones to record and Garageband to produce. Her early songs involved only her voice and a ukulele as they produced the best quality given her resources at the time. These songs were heavily influenced by artists such as Lorde, Hozier, and Dodie. Later on, in songs like don’t you need a break, Saxena expanded her musical repertoire, incorporating drum loops, piano chords, and a plethora of other sounds in her songs.
She began to develop her writing style, incorporating events from her life, such as heartbreak, and her admiration of nature into the lyrics. Another major influence on her writing style came from her grandfather’s passion for poetry. She started with couplets which later evolved into free-form poetry that she used as a foundation for her lyrics. Her songwriting process typically begins with either the poems she has written or the melodies she has recorded in Voice Memos on her phone. Additionally, she made original album covers for her singles using paintings and digital art she created. After releasing her first few singles, she performed mini-setlists in fundraisers for the Health Sciences Musical at the McMaster University Student Centre.
In her songwriting process, she often draws inspiration from her fascination with space. The imagery in her lyrics is used to illustrate the likeness between the grandeur and vastness of outer space to her experiences with love and heartbreak, seen in the song cosmic avenue. She often uses space-related symbols to signify the importance of events in her life, such as comparing her mother’s love and care for her to the moonlight that wraps around the earth at night, in mama moonlight, a birthday tribute to her mother. Cosmic Queries by Neil deGrasse Tyson in particular has been an important inspiration for songs in her upcoming EP.
Over time, her music has evolved to include a variety of themes, including self-conflict and frustration in her most recent single, speculation, where she described an inner turmoil during a darker time in her life. She found her relationship with music became a therapeutic outlet for her.
“What started out as a fun hobby has turned into a form of therapy for myself. What started off as me just goofing around and trying out different things has ended up with me using song-writing and composition as a way for me to process my emotions,” explained Saxena.
The new circumstances of the pandemic, however, limited her access to the resources she used during her time at McMaster, so she invested in a midi keyboard, guitar and microphone to continue making music. Though the pandemic hindered her plans, she used her spare time to teach herself how to produce, mix, and master records using Logic Pro through YouTube tutorials. She found the experience to be very valuable to her musical comprehension. It was also at this time when she started writing songs for her EP.
When asked about advice that she would give to future artists, she said it is important to find your voice.
“Why aim to be the second Billie Eilish when you can be the first you?” she asked.
“Why aim to be the second Billie Eilish when you can be the first you?"
Rania Saxena, singer-songwriter
This is a mantra she has taken to heart to find her own music style. She encourages other artists to experiment with rhythms and sounds outside of their comfort zone to help them find their style.
Her first EP is set to come out later this year, drawing influence from Sarah Kinsley, Lorde, and Clairo. She has kept most of its details under wraps but revealed there will be rock-influenced songs as well. As for her future after McMaster, Saxena plans to continue her music career, hoping to make a debut album. Additionally, she has not been able to perform in-person since the pandemic but looks forward to more performances in the future.
Her music is available on most music platforms and can be found here.
