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By: Rya Buckley
Mia Sandhu’s paper cut outs depict images of women partially or entirely nude, amidst backgrounds of leaves or behind curtains. She began working on these figures four years ago as a way of working through her own ideas about women’s sexuality.
Sandhu is a multidisciplinary artist currently based in Toronto. Her work has been exhibited in Toronto, Kingston, Halifax and Hamilton. She is a member of The Assembly gallery here in Hamilton, has done an artist residency at the Cotton Factory and also exhibited her work at Hamilton Artists Inc.
Last November, Sandhu exhibited her collection Soft Kaur at The Assembly, which featured playful figures who are comfortable with their sexuality. The name of the exhibition, which alludes to both to the softness and fierceness of women, incorporates the half Punjabi artist’s cultural background into her work.
“It's the idea [of] a female warrior spirit and the idea of equality that exists… Singh and Kaur are these given names and it was designed to eliminate status and… [create] men and women as equal. And I liked the play on this idea of soft female spirit slash warrior spirit [and] also the sexual undertone,” Sandhu explained.
There are other motifs in Sandhu’s work that suggest a dialogue between Sandhu’s culture and her evolving ideas on sexuality. A lover of Indian fabrics, silks and tapestries, Sandhu includes these aesthetic features in her work through the exotic plants in the environment her figures reside in. With the evolution of her work, she now references more domesticated plants that humans have formed a relationship with.
The silhouettes that are seen in Soft Kaur are also the result of Sandhu’s art’s progression. Her earlier work featured brown-bodied figures because Sandhu felt it more appropriate to use brown bodies in a work related to her upbringing and culture. Over time Sandhu employed more silhouettes in order to represent any woman, regardless of race.
The silhouettes do not broadcast as a uniform but as a canvas onto which women can project their own sexuality and ideas about sexuality. Sandhu is a believer in the fact that no one should decide for a woman how she should be represented sexually in society.
“I want women to be safe and I want them to feel safe and feel free and strong and empowered… [W]e're autonomous [and] each of us should choose for ourselves how we want to be represented sexually or in any other way because we're individuals. Hopefully we're not represented with any sort of attachment to shame. We should just be proud of who we are,” Sandhu said.
Facilitating space for women to speak about their ideas on sexuality was one of Sandhu’s aims behind this body of work. She finds it interesting to observe how her audiences connect with and interpret her art. By enabling dialogue, she finds that women can begin to realize the experiences that they share.
Exhibiting at The Assembly also gave Sandhu a location to speak with others about her work and to receive feedback. One thing that she appreciates about the Hamilton art scene is the sincerity of the participants who she feels are open to talking about important issues and are creating art that is driven by content.
While there is no linear narrative to Sandhu’s work, the content is obviously evolving as Sandhu’s own views develop. One of the motifs whose symbolism has changed over the years is the cloak that Sandhu’s figures have covering and revealing their bodies.
“[The cloak] represents shame, it represents personal space and it represents a number of other things as well… But it's like they're choosing how much of themselves that they're revealing and then as the work evolves, it's like the… cloak… stops being on them directly and starts being like in their space around them and they're allowing you in, or not letting you in,” explained Sandhu.
Through her work, Sandhu is also choosing to what extent she decides to let her audiences in. She is working on a new set of drawings and will continue to explore women’s sexuality and empowerment in the future. Her artwork is her diary, the paper cut outs and pencils replacing the thousands of elusive words that would be required to speak on the complicated ideas that she depicts.
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By: Rob Hardy
Eight years ago, as a rookie contributor to The Silhouette, I wrote one of my very first pieces on the sorry state of the Hamilton Street Railway. It still survives online under the title of “Public Transit Blues”. So what's changed since for McMaster University students and the city itself? Not much.
Some things are a bit better and some have gotten worse, but overall I would say the HSR is the same miserable experience it's always been.
There do seem to be more student buses during peak times on campus so it's not as packed as it used to be. We also have been able to negotiate year-round bus passes for Mac students, which previously only gave us an eight-month deal.
While I believe the HSR functions as best as it can within its limitations, the truth is that this is often not even remotely good enough.
In my case, coming in from Stoney Creek, the time spent commuting is brutal. If I take the B-Line, it still takes roughly 50 minutes. Trapped in a compartment full of stale air, at times too overheated, and shaking like hell as it travels our streets, the experience can be uncomfortable.
What's worse is that unlike previously, where the B-Line used to come right onto campus, it now stops on Main Street. Having to then walk all the way down to Togo Salmon Hall, in often unpleasant conditions, is ridiculous.
Moreover, the B-Line still ends around 7:00 p.m. This results in having to make two connections, which significantly adds to the trials of an already long day. While I can understand that express buses may terminate service at night, it would greatly help if a consecutive route ran from at least University Plaza to Eastgate, even with regular stops.
I use the B-Line as merely one example. Anyone living on the mountain, who also has to first get downtown before progressing into Westdale, suffers similarly.
Part of this dilemma is that Hamilton has unique geography to contend with. Our city layout is not a simple grid like you would find in Edmonton, for example, with nothing other than a river to divide us.
But much of the fault lies with the HSR itself. My biggest issue is with buses that arrive early, causing them to leave many people behind. Sometimes I have been able to trace this to drivers who began their route early, because there is no other way, logistically-speaking, they could have already arrived at that stop.
This is notable given that the HSR has been trying very hard to rebuild ridership — somewhat of a fool's errand considering their target market is people who take the bus out of necessity.
What's more striking is that even intra-city travel within Hamilton becomes “a commute” if one were to cross the length of the city twice a day. The current system as it stands is simply too broken and not meant for people in Stoney Creek to travel by bus all the way to Ancaster mountain.
During this decade, the light rail transit promised to offer innovation, as we moved from the planning stages to acquired funding to implementation. After all, Canadian cities of comparable size can now reasonably be expected to have an alternative public transit option on their most travelled route.
But as things stand, the latest news is that certain council members are now weary of paying additional costs should the project go over-budget, a reasonable possibility considering its timeline has been continually delayed due to endless council motions on the subject. But why should the province keep footing the entire bill anyway, especially for a city whose factions are still so divided on this issue?
While the HSR is a crucial part of Hamilton, their monopoly on public transit leaves bewildered riders powerless to really express their concerns. When we are caused to be late for school or work, an apology is pretty useless, and most people don't even bother to complain.
What some have done is stop riding. Yes, the HSR wants to regain their numbers. But many previous and potential transit users are waiting for more than a hollow marketing campaign to be convinced.
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If you’re an avid reader of the Silhouette, then you’d know our annual rendition of Sex and the Steel City, much like the paper itself, has evolved quite a bit over the past couple of years.
Putting together this year’s sex-positive publication meant embracing the diverse ideas around sexuality, love and health. It’s about creating a non-judgemental space where experiences can be shared, identities are expressed and art can be enjoyed.
Through Sex and the Steel City we were also able to explore Hamilton’s history, challenge the issues our communities’ face and open eyes to future possibilities with passion and dedication.
Every word and visual in this issue is also a reflection of the privileged position we, as a publication, are in to unapologetically express ourselves. A position that has been continuously denied to people historically and as of late.
For this reason our cover includes re-creations of stills from the recently discovered film Something Good - Negro Kiss. Directed by William Selig in 1898, the film depicts the earliest on-screen kiss between two Black stage entertainers and challenges the racist caricature prevalent in popular culture. In the 29-second silent film, Saint Suttle and Gertie Brown convey undeniable expression of love, pleasure and happiness.
[Best_Wordpress_Gallery id="218" gal_title="Something Good - Nego Kiss"]
We hope to continue the conversation around barriers that continue to marginalize identities today while also celebrating everything good they have to share.
Sex and the Steel City is a hopeful expression that love will prevail.
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Over the last two years, Halima Al-Hatimy, a former McMaster University public health grad student, has launched multiple Ontario human rights complaints against McMaster and Hamilton Health Sciences.
She also has legal proceedings against McMaster officials Patrick Deane, Wanda McKenna, Sarah Dickson, Glenn De Caire, Joseph Zubek and constables Tyler Rogers and Peter Broz.
Al-Hatimy’s issues with the university first materialized in 2017, before her anticipated departure to Ghana with “Waters Without Borders,” a program facilitated through a partnership between McMaster and the United Nations University.
Photo C/O Halima Al-Hatimy
The day before Al-Hatimy was expected to leave, the university informed her that she had been taken out of the program’s trip as a result of her presumed plan to bring medicinal marijuana overseas.
Thirteen days later, Al-Hatimy filed a human rights complaint against McMaster and the UNU.
“The administration asked me to sign an affidavit saying that I wouldn’t take medicinal cannabis with me illegally. It was riddled with criminalizing language, telling me that I had to promise I wasn’t going to traffic, import, export or illegally purchase illicit drugs or substances. I was traumatized by the experience,” she said.
Al-Hatimy is firmly convinced the university discriminated against her on the basis of “race, age, disability and use of medicinal cannabis.”
Thus far into the proceedings, the Ontario Human Rights Tribunal has affirmed Sarah Dickson’s involvement in the case but cut out the UNU and David Wilkinson, McMaster provost and vice-president (Academic).
Al-Hatimy said the university has been “extremely aggressive and uncooperative” over the past year.
In particular, according to Al-Hatimy, McMaster’s campus-wide smoking ban instituted in 2017 directly tore away her demand that the university construct a medical cannabis policy to protect users on campus.
Since launching her complaint, Al-Hatimy also filed for reprisal and organized two anti-smoking ban protests, one off-campus and the other in the Health Sciences Building.
“Both times, I was racially carded. The police showed up and walked straight to me. The guy beside me was white and smoking his medical cannabis. At the time, they didn’t know he was a licensed user. They just saw an older man and a younger student with a megaphone. You’d think they’d card him first, but they carded me,” she said.
When walking in the McMaster University Student Centre on another occasion, she said she was harassed by Joseph Zubek, the senior manager of McMaster security services.
“He showed me pictures that he had of me on his phone. He said they started an investigative police file on me,” she said.
In addition to lodging human rights complaints, Al-Hatimy has launched an application for reprisal for three counts of racial profiling, intimidation and harassment.
Upon entering the impending proceedings, Al-Hatimy said she feels hopeful.
“I have a strong case, I have evidence in my favour. I have witnesses. I’ve connected with other students who have also been bullied by the university and I have evidence of their stories that I’ll be presenting to the tribunal,” she said.
Gord Arbeau, the communications director at McMaster University, told the Silhouette that McMaster is committed to being inclusive, respectful and harassment-free.
“The university’s policies and procedures support this commitment, including providing medical accommodations to members of the community,” said Arbeau, on behalf of the university’s respondents in the proceedings.
On March 29, Al-Hatimy and McMaster officials will attend a case management conference that will consolidate her applications. From there, cases will be combined and a hearing will be scheduled.
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By: Andrew Mrozowski
“In the beginning God created Adam and Eve (allegedly), but she soon realized how boring their parties were and created Adam and Steve to be their neighbours and show them how it’s done,” read the official Adam and Steve manifesto.
Since 2016, Adam George and Steve Hilliard have been throwing the queerest parties that Hamilton has seen for decades under their event planning name Adam and Steve. These two community event organizers have a single mission, to create community and carve out LGBTQ friendly events within the Hammer.
“[Our events] are unlike anything you’ve ever seen. It’s like your gayest wildest wet dream,” said George.
George moved to Hamilton in the late 2000s to attend McMaster’s science program. Shortly after meeting Hilliard on campus, the two students clicked. Hilliard went on to graduate from the nursing program and became a full-time nurse while George became a full-time realtor.
The “semi-engaged” duo — they have an ongoing competition over proposals — loved making a life together in Hamilton, but they felt something was missing in their community.
Being inspired by the fact that there weren’t any queer spaces currently in Hamilton, George and Hilliard had an idea. What if they planned and hosted parties in Hamilton that they would want to attend?
“We were tired of having to go to Toronto to have fun,” explained George.
“We were both inspired by being queer, inspired by fun, beauty and I have an intense love of drag. I really wanted to give a stage to queer artists,” added Hilliard.
Historically, Hamilton has had a rough history with queer spaces amounting to raids and police brutality.
“At any given moment, there was at least four or five [gay bars and clubs]. Hamilton was almost too gay and this history is tragic. If you look up the lists of the top ten worst police raids, one of them was in Hamilton at a bathhouse downtown,” said Hilliard.
“But now, we’re moving towards a queer scene about being whoever the fuck you wanna be,” added George.
Attracting the likes of popular Toronto queens, such as Priyanka, and RuPaul’s Drag Race season 8 contestant, Thorgy Thor, the dynamic duo is always on the lookout for who can throw the greatest party.
“We wanted to throw parties that we wanted to go to. Right before we started doing events, we always thought ‘Why hasn’t a RuPaul queen come to Hamilton?’ Then once we started throwing events, it was one of those things where you didn’t think was possible and then one day, I just googled … what would it take to get a RuPaul queen to come,” said Hilliard.
“We did a survey on our Instagram to see if there was interest… in four days the first show sold out and then we added a second date, and that one sold out,” added George.
Community is a large reason why George and Hilliard throw their parties. The duo’s goal is not only create community and a space that fosters inclusivity through their events, but they also wanted to become part of the community.
“It’s about creating a family in this city,” said Hilliard. “Queerness was never something that was handed to us.”
George and Hilliard are consistently looking towards the future and are hoping to open up their own space. The goal is to have a party every night, so there will always be a safe space for the community to celebrate and have fun.
Always busy planning parties, the duo has big plans for this coming romantic weekend. Adam and Steve will be hosting Heart On: Queer Galentine’s Day Party featuring House of Filth on Feb. 16 at Absinthe Hamilton on 38 King William Street.
“Queer and gay bars left [Hamilton], but the gay and queer people didn’t. We need to give those people and ourselves a safe space where they can meet new friends, be safe, and won’t ever need to leave the city at all,” explained Hilliard.
The future for Hamilton’s LGBTQ+ looks as bright as the pride flag thanks to event organizers like George and Hilliard. Adam and Steve events are where you can put glitter on your face, wear your cutest shirts and dance the night away in a safe and inclusive space for all.
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By: Coby Zucker
Saturday’s Pride volleyball games went off without a hitch, in part due to the organizational skills of Shawn Small, a manager in the department of Athletics and Recreation. The event was designed to merge athletics with a celebration of the LGBTQA2S+ groups on campus and in the Hamilton area.
“It’s just a celebration of the community,” said Small. “And trying to bridge our department with the community on campus and outside in the Hamilton community. Again, it's a celebration game and just opening up the doors, making sure that people know what we stand for, who we are and making an inclusive environment for everyone.”
Small is something of an industry veteran, having had the opportunity to work in a similar role within the professional sports scene. During his time with the Maple Leafs Sports and Entertainment, he was able to help organize a similar event for the Toronto Raptors. Looking at what the pro teams were doing, as well as other universities, it was only a matter of time before the Pride event wound its way into Marauders athletics.
“The Toronto Blue Jays do a game,” said Small. “And Ryerson University, York University. So it's something that's pretty prevalent in the sports community. Pretty common. So we felt that it's time that we make sure that we're recognizing and celebrating our community as well.”
@mcmasterwvb 🏐 warming up for their PRIDE DAY 🏳️🌈 game in their @truehamiltonian shirts. Get here to get yours and show your support! 💕
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.#GoMacGo #YouCanPlay #HamiltonIsHome pic.twitter.com/zJIV3G7McF— McMaster Marauders (@McMasterSports) February 9, 2019
Small explained that beyond just a celebration of the LGBTQA2S+ community, the event also helps promote equity and inclusion within university athletics.
“Generally, there's a stigma around sports and the LGBT community,” said Small. “So we're trying to break down those barriers and make sure people know that it's an inclusive and equitable environment at the David Braley Athletic Centre and at the Athletics and Recreation Department.”
Though high-level athletics and the LGBTQA2S+ community have frequently been at odds, Small feels as though stigma within the Marauders community is mostly imposed from the outside and not by teammates.
“I mean, we've had some openly gay athletes and student-athletes on our teams,” Small said. “And there is this stigma of people outside the sports world. But when you're in it, all the people on the teams that know these openly-gay athletes are already open arms, and there's no stigma within the environment. But when you're outside the environment, we feel like there is always a perceived stigma, but perception is not always reality.”
The game itself was an overwhelming success for the Marauders. Both the women and men’s volleyball teams easily handled the Nipissing University Lakers in three-set sweeps. While the women’s team has remained competitive in the Ontario University Athletics West division, the men’s team is in prime position to go for OUA gold once again.
https://www.instagram.com/p/BtrhGdoh7tf/?utm_source=ig_web_copy_link
Even still, the team’s dominance was not a large factor in the scheduling of the Pride event and was more of a happy coincidence.
“We don't have many available dates with other things going on,” said Small. “So it landed on this date and we're actually very excited again because the men's volleyball team has been doing so well and it's a strong draw — we always have a solid crowd. So it helps enhance what's already a good event.”
This is not the first time Marauders sports have been fused with celebratory or awareness-spreading campaigns. Bell Let’s Talk Day, which promotes conversation around mental health, was marked by a sizable campaign led by student-athletes and punctuated by McMaster basketball games in support of the event. Chances are, the two events won’t be where the themed games end.
“We're really trying to look at our calendar and schedule appropriately,” said Small. “Making sure that we have the opportunity to break down walls and invite different groups from all cultural, sexual orientation, gender or whatever it would be. So we try our best to make sure we spread the net wide and bring everyone together and to our building.”
After another successful social event in the Marauders community brought fans and athletes together through sports, the volleyball teams will build on this energy to boost them through the rest of the season.
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In recent years, Hamilton’s downtown core has changed rapidly, with many businesses closing down and new ones popping up, just as fast. While some may welcome these changes, many others point to a loss for the LGBTQA2S+ community, with many popular gay bars closing down as the city evolved.
In the early 2000s, there were five major gay bars people could go to: The Werx, the Rainbow Lounge, The Embassy, M Bar and The Windsor, all of which were located in Hamilton’s downtown core. Since then, all of these bars have shut their doors.
For James Dee, a McMaster alum and Hamilton resident since 2004, bars such as the Embassy were an important aspect of their experience with Hamilton’s queer community as a place where they could go without threat of violence.
“We maybe have a little bit of drama and be kind of mean to each other….But when the lights came on at the end of the night you know everyone was checking in with each other like 'text when you get home and so I know you're safe,'” Dee said.
While Hamilton’s queer scene thrived in 2004, it was not without violence. In that same year, Hamilton Police Services, among other municipal agencies, raided the Warehouse Spa and Bath and arrested two men for indecent acts. That raid was followed by protests from Hamilton’s LGBTQA2S+ community.
“It felt a lot more dangerous to be visibly queer in 2004,” Dee said. “I think it's easy to kind of romanticize the time when we had brick and mortar spaces but it's also easy to forget why we needed those spaces so much.”
Dee believes that, to some degree, places closed down due to a decline in need, but also points to the gentrification of Hamilton as another key reason these spaces disappeared.
“It's not just the story of queer Hamilton, it's the story of Hamilton in general… a lot of the places I used to enjoy hanging out [at] are now bougie coffee shops,” Dee said.
For example, following the shuttering of the Werx’s door, the building was converted into the Spice Factory, a popular wedding venue.
“All across the board, [the gay bars] catered to people with less money,” Dee said. “They don't survive downtown anymore.”
For Sophie Geffros, another long-time Hamilton resident and McMaster graduate student, the loss of brick-and-mortar spaces has meant a segregation within the community.
Geffros, who spent their teen years in Hamilton, had many of their formative experiences at bars such as the Embassy, where they met older members of the LGBTA2S+ community in addition to those their own age.
“There is still an isolation that I think that can only be combated by in-person interaction,” Geffros said.
“We're a little more fragmented. Like if I'm going out… I'm going to be going out with people I already know who are members of the community,” they added.
For Geffros, the loss of Hamilton’s queer spaces is especially harmful, as these spaces were often the most accessible hangouts for queer people living in rural communities that lack direct bus service to Toronto.
“Those are people who are particularly isolated, who are often closeted throughout the week and would come to Hamilton on the weekend to blow off steam and be amongst themselves. That's a real loss,” Geffros said.
While there are no longer any physical LGBTQA2S+ spaces, there are opportunities for Hamilton’s queer community to converge. Dee is one of the founders of Queer Outta Hamilton, a collective that runs monthly queer pub nights, typically at Gallagher’s Pub.
In addition, there are other organizations that offer workshops and events, such as Speqtrum Hamilton, the NGen Youth Centre, Pride Hamilton, the McMaster Students Union Pride Centre and others.
There are also many LGBTQA2S+-friendly bars and clubs, such as Sous Bas, which offers queer events, typically in partnership with Queer Outta Hamilton.
While Hamilton may have lost its major physical queer spaces, the community continues to support each other the best they can.
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Following recent snowstorms that deposited as much as 40 cm onto Hamilton streets, some Hamilton residents are using social media to bring attention to the issue of snow-covered residential sidewalks.
Currently, residents are expected to clear snow from their sidewalks within 24 hours of a “snow event.” If residents fail to comply, the city will issue a 24-hour “Notice to Comply,” followed by possible inspection and a contracting fee for the homeowner.
However, residents say both residential and city sidewalks are still not being cleared, either by residents or by the city.
The Disability Justice Network of Ontario has encouraged residents to participate in the “Snow and Tell” campaign by tweeting out pictures of snow or ice-covered roads and sidewalks using the hashtag #AODAfail, referring to the Accessibility for Ontarians for Disabilities Act.
https://twitter.com/VicBick/status/1087879002092646401
McMaster student and local community organizer Sophie Geffros supports the campaigns and says it a serious issue of accessibility and justice.
Geffros uses a wheelchair and knows how especially difficult it can be for those who use mobility devices to navigate through snow-covered streets.
“It's people who use mobility devices. It's people with strollers. And it's older folks. People end up on the street. If you go on any street after a major storm, you'll see people in wheelchairs and with buggies on the street with cars because the sidewalks just aren't clear,” Geffros said.
https://twitter.com/sgeffros/status/1087384392866123778
Snow-covered sidewalks also affect the ability for people, especially those who use mobility devices, to access public transit.
“Even when snow has been cleared, often times when it gets cleared, it gets piled on curb cuts and piled near bus stops and all these places that are that are vital to people with disabilities,” Geffros said.
https://twitter.com/craig_burley/status/1088798476081741824
Geffros sees the need for clearing sidewalks as non-negotiable.
“By treating our sidewalk network as not a network but hundreds of individual tiny chunks of sidewalk, it means that if there's a breakdown at any point in that network, I can't get around,” Geffros said. “If every single sidewalk on my street is shoveled but one isn't, I can't use that entire sidewalk. We need to think of it as a vital service in the same way that we think of road snow clearance as a vital service.”
Public awareness about the issue may push city council.
Some councillors have expressed support for a city-run snow clearing service, including Ward 1 councillor Maureen Wilson and Ward 3 councillor Nrinder Nann.
I just don’t find it all that complicated. Cities are for people. It is in our best interest, financial and otherwise, to plow sidewalks. It’s also a matter of justice. I await the city manager’s report and ensuing debate
— Maureen Wilson (She / Her) (@ward1wilson) January 29, 2019
A city council report issued in 2014 stated that a 34 dollar annual increase in tax for each homeowner would be enough to fund sidewalk snow-clearing.
Recently, Wilson requested the city council to issue a new report on the potential costs of funding snow-clearing service.
Geffros sees potential for the current discourse to open up to further discussions on other issues of accessibility and social justice.
Hamilton’s operating budget will likely be finalized around April. Until then, Geffros and other Hamilton residents will continue to speak out on the issue.
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What is the value of an apology? That is one of the questions that JUNO-nominated singer and songwriter Khari Wendell McClelland is exploring in his new concert, We Now Recognize. The show, which consists of all new songs, will tour six Canadian cities for Black History Month. It comes to the Lincoln Alexander Centre in Hamilton on Feb. 19 at 8 p.m.
We Now Recognize is a partnership between McClelland and Project Humanity, a non-profit organization that uses the arts to raise social awareness. The two collaborated in 2017 and 2018 to create the documentary theatre musical of the Vancouver-based artist’s debut solo album, Freedom Singer. Freedom Singer interpreted songs that might have accompanied McClelland’s great-great-great-grandmother Kizzy as she escaped from slavery via the Underground Railroad.
This show is another personal work, although McClelland originally took inspiration from the current sociopolitical landscape. The number of political apologies that have occurred struck him in the past decade or so and especially in Justin Trudeau’s term. He began to question what constitutes a substantive and meaningful apology.
In writing the show, McClelland found himself reflecting on being wrong and the extent of his compassion for those who do wrong. He considered how recognizing wrongdoing feels and how to move forward from it. With this, he also thought about the relationships he has with the generations of men in his family.
“[I was] looking at my grandfather and my father and my brother and even considering what it would be to be… a father and what the implications might mean for a larger society… [I]t's men who are exerting power and have a lot of control in society… What are some of the ideas… I grew up with that I have at different times perpetuated in my own life and trying to figure out like what that might look like through a generational lens,” said McClelland.
The show explores other ideas that McClelland cares about, such as community and the way we wield power over the natural world. In bringing different ideas in proximity with one another, McClelland sees the work as an assemblage like a quilt or collage.
McClelland sees being able to explore a multitude of ideas as a way of celebrating Black life. Unlike his past work with Freedom Singer, which tackled the history of slavery head on, We Now Recognize, is a subtler approach to Black history that it more rooted in the present and in the future.
“I feel like there are ways in which black life can be can be understood as a monolith, that black people in Black communities aren't allowed to have a diversity of experiences and perspectives. I'm very curious… about creating some kind of radical subjectivity around Black life, like being able to be all these different ways that we are just as human beings,” McClelland said.
Not only will the concert allow McClelland a chance to bring forth the multiplicity of Black life, it will allow him to stretch himself and grow as an artist. The personal show will force him to be vulnerable in a way that he hasn’t been before with the communities across Canada that has supported him.
McClelland sees the connection to music as something that erodes for many people over their lifetime. For him, however, it is something that he hasn’t stopped doing ever since it became a part of his life as a kid growing up in Detroit. It moves him in a way that isn’t necessarily positive or negative, but just is. He also sees the medium as essential to building community.
“I feel like healthy communities move together. That they practice together, that they have rituals together… [O]ur connection to artful practices actually has the potential to heal us as communities and individuals coming together… has this real potential for a deep kind of healing… I think it is just a deep medicine in the way that we come together and make music and make art,” explained McClelland.
McClelland is looking forward to this tour to see how audiences connect with the new songs. He is eager to see the way in which people are moved by this meditation on wrongdoing and apology, whether positively or in a way that is a little uncomfortable.
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