This immersive art
From Oct. 17 to 19, Hamilton-based non-profit
Located at 349 and 351 Barton
Lauren Galenkamp, the executive projects assistant at HHSM spoke to The Silhouette about the inspiration for the event. “A lot of the stories that I’ve heard from a lot of the friends at Helping Hands have shifted the way that I view a lot of things. It’s made me more compassionate. It’s made me softer as a person. It also has made me realize that not a lot of people get a chance to listen to those stories, so I wanted to make a space for our friends to tell their stories and for people to come and listen,” said Galenkamp.
A lot of the stories that I’ve heard from a lot of the friends at Helping Hands have shifted the way that I view a lot of things. It’s made me more compassionate. It’s made me softer as a person ... I wanted to make a space for our friends to tell their stories and for people to come and listen
Lauren Galenkamp, Executive Projects Assistant
Helping Hands Street Mission
Ten different stations were set up, each depicting a different person’s story. Works included photography, paintings, sculptures, spoken word, and dance. Attendees were encouraged to walk through the exhibit at their own pace. “Art is this incredible bridge and storytelling is this incredible bridge that makes it easier for us to think about things and to sit with things and wrestle with things,” said Galenkamp.
One of the artists is Sarah
The exhibit featured interactive components, including a station called “Tapestry” with writing prompts about the meaning of home. As attendees exited the exhibit, they were invited to write reflections on a large paper banner. There was also a children’s station with various activities.
The name “We’re All Neighbours Here,” was chosen to represent the community-based perspective that
We all have something to give. We are all neighbours in this space and we all care for this space together.
Lauren Galenkamp, Executive Projects Assistant
Helping Hands Street Mission
The decision to hold this fundraiser stemmed from a desire to change the annual HHSM fundraising gala. “Our galas always have so much in the program because we want so many friends to be able to share their story that it ends up being a very full evening of just friends telling stories. Which is so great, but is not what people want from a gala necessarily. It made us realize that maybe we should be doing an event that feels more like us and feels like it is more accessible, because galas are expensive,” said Galenkamp.
She added that the event was intentionally held outdoors to encourage people to consider the experiences of people who have to live outdoors, especially in cold and rainy weather.
Galenkamp said that she began planning the event in July and the process was supported by two artist coordinators and a group of volunteer mentors. Vik Mudge, one of the participating artists, discussed his experience participating in the show. “It’s been really interesting to meet folks from many different places and many different backgrounds and many different experiences. It’s been really powerful to talk to people and hear their stories and experiences,” said Mudge.
Another of the artists, Michael Irvine, echoed this sentiment. “Everything’s been very powerful with the friendliness in people. Everybody wants to help you. We don’t label it as love but there’s a lot of love,” said Irvine.
Galenkamp said she hoped that the exhibit would help people move forward with compassion. “What we need in this city pretty badly is more compassionate people in our neighbourhoods. I want my friends to be able to share their stories and for people to see them and be changed by them and be affected by them. I would love for it to have long term impact over the way that we see each other as neighbours,” said Galenkamp.
What we need in this city pretty badly is more compassionate people in our neighbourhoods. I want my friends to be able to share their stories and for people to see them and be changed by them and be affected by them. I would love for it to have long term impact over the way that we see each other as neighbours.
Lauren Galenkamp, Executive Projects Assistant
Helping Hands Street Mission
If you are interested in hearing people’s stories,
The organization's workshop provides space for those experiencing houselessness and substance use to explore their passion for writing.
Established in 2018, Keeping Six is a community service providing opportunities for those experiencing houselessness and substance use. The organization aims to defend the rights of those who use drugs while giving them space to make their voices heard.
Created due to the opioid crisis in Hamilton, Keeping Six hopes to use its initiative to recruit members with lived experiences of being on the streets and using substances to overcome the city's drug crisis.
One of the ways in which Keeping Six creates opportunities is through the Keeping Six Arts Collective. The collective hosts events and various workshops for artists on the streets and drug use experience to explore their passions and improve their work.
Every Wednesday, the Arts Collective hosts a writing workshop at the Music Hall, located downtown on Main Street. The workshop is free for everyone to drop by and offers complementary snacks and supplies.
Maggie Ward, the current leader of the group moved from Fredericton, New Brunswick to Hamilton to finish her Ph.D. in English at McMaster University. Although Ward did not finish her Ph.D., she now works as a bookseller and freelance proofreader. She joined Keeping Six as a grad student and has been working with them since.
In an email statement to The Silhouette, Ward described how the workshop began as a way for the organization to create space for anyone to drop in and work on their free writing or prompts. The workshop started in 2021 at Gore Park before moving to the AIDS Network, the Hamilton Central library, the New Vision United Church and now, the Music Hall.
Ward became the pseudo-leader of the group when the peer leader and co-founder of Keeping Six was no longer able to attend the workshops. She provides writing support through prompts and feedback, helping writers flesh out and improve any creative ideas they might have. The group has free rein to work on what they would like, but a majority of the work being done goes towards the content for Keeping Six’s quarterly zine.
Ward explained Keeping Six’s purpose and the organization itself is different from anything else in Hamilton.
“We're focused on harm reduction, with a firm belief that art is harm reduction . . . The writing group and the zine are opportunities for folks to share their stories, which are rarely heard,” Ward stated.
Additionally, the group has received a consistent number of participants over the last few weeks, but not as many as when it first started. Ward hopes that the Music Hall as a new venue will encourage more people to attend since it is in the same location as the weekly art workshop Keeping Six also hosts.
Ward wants everyone who visits the workshop to leave having had a positive experience and feeling reinvigorated about their writing.
“I hope that folks who come to the group leave feeling like their stories are worth telling; that they're genuinely important. I also want them to feel less intimidated by writing. We encourage all forms of expression,” she explained.
“I hope that folks who come to the group leave feeling like their stories are worth telling; that they're genuinely important. I also want them to feel less intimidated by writing. We encourage all forms of expression,”
Maggie Ward, leader at Keeping Six Arts Collective
The workshop is also open to students if they wish to attend, as a good way to work on and receive feedback about their writing or just get to know more about the community and Keeping Six. Ward encourages anyone passionate about writing to drop by the workshop and to check out the zine to see what the Keeping Six community has to say.
A new initiative at 541 Eatery & Exchange creates a safe space for folks who are unhoused to share their stories and become better storytellers
Stories are powerful tools. They can shape, heal or challenge people in unexpected ways and help us better understand ourselves and others. At 541 Eatery & Exchange, a not-for-profit charity café, a new storytelling circle, Concrete Tales, is helping to instill this powerful tool in its community.
The premise of 541 Eatery & Exchange lies in the vision that all people deserve access to food and should be able to choose what they want to eat. Their goal is to provide an opportunity for people to help their community by paying it forward through its button system and making sure everyone has access to good food. They also hope to provide a sense of dignity and respect that is too often stripped away from those who are stigmatized in society, such as those who are unhoused or dealing with addictions.
“541 Eatery & Exchange is a beautiful way for people, who have more resources, to come and see and interact with people who are actually very, very strong and resilient—people who have lived on the streets and have seen and experienced tough, tough things—and see them for who they really are,” said Carmen Cooper, staff at 541 Eatery & Exchange and organizer of Concrete Tales.
Concrete Tales is the latest initiative at 541 Eatery & Exchange funded by Keeping Six, an organization focused on harm reduction in Hamilton. Its first session was held on Nov. 18 at the café and it will continue to occur every Friday from 4:00 to 6:00 p.m. with dinner provided. Every week, one of the facilitators or guest speakers will exchange stories — some personal, some folk tales — of resilience and strength.
Cooper came up with the idea of starting a storytelling group and then later recruited facilitators to help run the sessions, including Carl Lambert whom she got to know through 541 Eatery & Exchange. Both their connections to the café and its mission run deep and long.
Cooper started working at the eatery four years ago but has been part of its family for a long time as a volunteer. She was drawn to this space by the sense of integrity, dignity and inclusivity offered by its community and while working here, she was able to learn the stories of folks who have had very difficult experiences and found herself healing and growing through listening to their stories. Concrete Tales came about because she wanted to extend this opportunity to others in the community and provide a dedicated safe space for folks to share stories.
“Because I’ve been [working] here for four years, in some ways, I have earned the privilege and honour of getting to know some people who have had very hard lives and because I myself found healing and growing through storytelling, I wanted to offer that opportunity to other people,” said Cooper.
Because I’ve been [working] here for four years, in some ways, I have earned the privilege and honour of getting to know some people who have had very hard lives and because I myself found healing and growing through storytelling, I wanted to offer that opportunity to other people.
Carmen Cooper, staff at 541 Eatery & Exchange
Lambert is a long-time customer at 541 Eatery & Exchange and someone with lived experiences of being unhoused. Coming to the café for the past 6 years has been helpful for him in dealing with his addictions and getting a chance to socialize with the local community.
“[541 Eatery & Exchange] has been a wonderful place for me in terms of dealing with my addictions and re-socializing with people,” said Lambert.
Despite Concrete Tales being a fresh and new initiative, the response from the attendees has been powerful and encouraging. At the first session, the group established rules of engagement, such as respect, trust and how they use a piece of concrete as the talking stick. It was crucial to establish these rules as soon as possible to emphasize the fact it is a safe space where people accept each other and can feel comfortable offloading their experiences and personal struggles.
During the first session, Cooper also shared an African folktale to ease the group into storytelling before delving into too personal stories which can be tragic and triggering for some folks. As the closing remark, she read a poem followed by a moment of silence for reflection which she hopes will be a tradition the group will continue every week. Afterwards, many folks shared they were looking forward to coming back for more and showed enthusiasm for future events.
“Everyone said they are coming back . . . [And] the community at large is supportive of [Concrete Tales] too as well as the [attendees]. It’s wonderful,” said Lambert.
Looking further ahead to where the group would like to take these sorties and conversations. In February 2023, they hope to facilitate an 8-week workshop to teach folks how to develop their own stories, including proper structure, body language and effective delivery. At the end of the workshop, they will host a debut event for all the storytellers to share with the general public.
Teaching people, especially those who are unhoused, how to be strong storytellers is important in Lambert and Cooper’s perspectives because it is an essential skill and can be therapeutic and dignifying.
“Let’s say something happens and you’ve got to talk to a banker, you've got to talk to a cop, you’ve got to talk to a fireman about [how] your kid [fell] into the water — it's a story and the more effective you can do it, especially as a street person who tends to lose those social skills, it’s huge . . . Also, it’s therapeutic,” said Lambert.
“I think that the idea that even though you’ve lived a difficult life, [knowing] that you matter, your story matters — like there is substance there — it dignifies your life which I think is rare,” said Cooper.
Additionally, by sharing these stories, they hope to help the community unlearn harmful stigmas against people who are unhoused, such as that they are on the streets because they are lazy.
“I think the assumption is always like, "Oh, they are just so lazy, not hard working, drug addicts and have loose morals." There are reasons for these things . . . So far from the people that came [on Nov. 18], I think there’s an eagerness to be heard. They just need an audience; they need people to listen,” said Cooper.
I think there’s an eagerness to be heard. They just need an audience; they need people to listen.
Carmen Cooper, staff at 541 Eatery & Exchange
To support Concrete Tales and initiatives alike, they encourage people to support community organizations like Keeping Six. Anyone can also attend future Concrete Tales events by emailing [email protected] to reserve a spot and learn to develop their own stories. Additionally, 541 Eatery & Exchange is currently looking for socks and gloves donations.
Everyone is closer to being unhoused than they think. Currently, extraordinary stories are being shared at Concrete Tales to destigmatize street people and normalize experiences of tragedy and hardship. Even if it is not at Concrete Tales, reflect on your narrative and try listening to someone else’s story to learn the power of storytelling and gain a new perspective.
C/O @unshelteredthezine
“UNSHELTERED”: the zine shares the experiences of unhoused women and gender diverse folks
Homelessness across Canada became more widespread and visible during the COVID-19 pandemic. However, visible homelessness mostly describes homeless men. For unhoused women and gender-diverse folks, homelessness remains a largely hidden issue. With a lack of safe, adequate and appropriate shelters dedicated to these folks, they are more likely to avoid shelters, couch surf and remain in unsafe and/or abusive situations to access shelter.
Witnessing this unfortunate reality has inspired Samm Floren, a student in McMaster University’s post-degree bachelor of social work program, to bring to the limelight the experiences of homeless women and gender-diverse folks through the launch of her community project, “UNSHELTERED”: the zine. UNSHELTERED is a community art project aimed to sharing the stories of chronically unhoused women and gender-diverse folks who don’t access the shelter system in Hamilton for reasons including, but not limited to, restrictive service and shelter rules, being labelled as Do Not Admit or fear of discharge due to their mental health crisis, substance use or possession of harm reduction gear.
The zine’s goals are to instill creativity, provide a safe space for unhoused folks to voice experiences and raise public and institutional awareness of what it is like to live outside of the Hamilton shelter system. The first issue of the zine can be accessed through a Google Drive link and a physical printed copy can be found at Centre[3], Girl on the Wing, Handknit Yarn Studio and Partizanka Press, or requested via UNSHELTERED’s Instagram page on a pay-as-you-can basis.
To gather contributors, Floren, along with two other social work students, Stephanie Milliken and Alannah Maye, would reach out to those sleeping on the streets or living in encampments who were accessing drop-in spaces and programs at the YMCA and Mission Services in Hamilton. Mission Services has been especially helpful in providing her with contacts to folks with a history of being denied or unable to access shelters.
Those who agreed to contribute their artwork to the zine were provided a consent form and asked to express their experiences of being unhoused in Hamilton. After finishing their pieces, they were interviewed to describe what their pieces are about and to share their story. Their descriptions and experiences were included in the zine along with their artwork. All participating folks were remunerated with an honorarium consisting of a $30 gift card to Dollarama or Tim Hortons, art supplies and harm reduction kits.
The idea for the zine came about while Floren was working as a frontline shelter worker at a low-barrier program during January and February of this year. Seeing folks who were constantly being denied access to adequate housing, reading about homeless encampments, working the shelter system and not seeing any changes made to better support unhoused women and gender diverse folks motivated her to create a platform through which they could tell their stories to the larger community.
“[Folks] would become so frustrated and a lot of the time what they would say is, ‘I’m going to die out here on the streets.’ So that’s where the inspiration came from. But I think it’s important to note that folks have been telling their stories this entire time and UNSHELTERED is just a tool to do that,” explained Floren.
“[Folks] would become so frustrated and a lot of the time what they would say is, ‘I’m going to die out here on the streets.’ So that’s where the inspiration came from. But I think it’s important to note that folks have been telling their stories this entire time and UNSHELTERED is just a tool to do that."
Samm Floren, founder of UNSHELTERED
UNSHELTERED was also inspired by Floren’s love for art and her belief in the capacity of art to act as an outlet for self-expression. She had run an arts session a few years ago as part of the Transitional Living Program at the YMCA for unhoused folks and seeing first-hand the fulfillment art could bring to them was one of her favourite moments in the program.
“Just being there, being with folks and doing art, was just fun and I’ve carried that with me. The joy that people get from being able to just create is huge and I think that’s where a lot of [folk’s engagement with art] came from. We don’t have a lot of art supplies, it’s not something that people think of, but it’s something people love and cherish and use,” said Floren.
“Just being there, being with folks and doing art, was just fun and I’ve carried that with me. The joy that people get from being able to just create is huge and I think that’s where a lot of [folk’s engagement with art] came from. We don’t have a lot of art supplies, it’s not something that people think of, but it’s something people love and cherish and use.”
Samm Floren, founder of UNSHELTERED
The first issue of the zine included works from over 20 contributors, but it would not have been possible without strong community support. UNSHELTERED received monetary and supply donations from the community and organizations and lots of help from volunteers and partnerships. McMaster faculty and teaching assistants who were involved include Laurie Sherry-Kirk, Mary Vaccaro, Jennie Vengris and Jennifer Crowson. It was featured on the McMaster Social Work website and professors have been reacting positively to the zine by helping to spread the word and donating gift cards for honoraria.
Supporting organizations of the zine include Keeping Six, Mission Services, YMCA Transitional Living Program and Carole Anne’s Place and CUPE3906. Keeping Six in particular has been a major supporter of the initiative through inviting UNSHELTERED to the Unity Jam concert, which occurred in September. There, Floren was able to promote the zine and host harm reduction information sessions and naloxone training.
So far, Floren’s favourite responses have been from folks who contributed their artworks to the zine. She says it was exciting to see them receive a physical copy of the issue and react with so much positivity.
“I’m still tracking down a few people to give a hard copy of the zine and they were really excited — that was the biggest impact and that’s the goal. We want people to be excited and see other folks read it. So the feedback’s been pretty positive,” said Floren.
Floren wishes for UNSHELTERED to become a long-term initiative while staying true to sharing the stories and artwork of folks who are living outside the Hamilton shelter system. Additionally, she hopes she can organize more art drop-in sessions.
“The goal of UNSHELTERED is the artists and the people who are sharing their story. It’s amazing that it has support, but that’s where the focus needs to stay. What’s important is that UNSHELTERED is just a tool. It’s another way to get things out there and what people need to realize when they read it is that these stories have been there this entire time. Hopefully now they’ll be more willing to open their ears to it and listen if they weren’t before and make an effort to continue to do that,” said Floren.
Here’s hoping that UNSHELTERED is able to not only support those living outside the Hamilton shelter system, but also effect larger, more permanent change in the city and in relation to people’s perceptions of unhoused individuals.
C/O @k33ping6
Keeping Six is destigmatizing drug use and homelessness through arts-based initiatives
With a worsening homelessness crisis in Hamilton and the recent prohibition of encampments and vaccine passports further increasing barriers to access for Hamilton’s homeless population, services seeking to help and provide a voice to homeless people are needed more than ever. From cleaning encampments to creative writing, Keeping Six is working to change the perception of people with experiences of homelessness and drug use by destigmatizing their experiences through awareness and providing them with a platform.
Keeping Six is the result of the need for advocacy for people with lived and living experience of substance use. Upon seeing the lack of service for those groups in the community, Jody Ans, Denielle Delottinville, Robert Etherington and Iain James founded Keeping Six to defend the rights and dignity of people who use drugs.
“[We’re] changing the perception of people who use drugs as not having any direction or desire, not having focus, when that is only one aspect of their lived experience . . . part of our advocacy was about destigmatizing drug use, and also giving an opportunity for people to have a voice,” explained Kelly Wolf, Keeping Six’s Arts Coordinator and founder of Open Heart, a Hamilton-based theatre company.
“[We’re] changing the perception of people who use drugs as not having any direction or desire, not having focus, when that is only one aspect of their lived experience . . . part of our advocacy was about destigmatizing drug use, and also giving an opportunity for people to have a voice."
Kelly Wolf, Keeping Six’s Arts Coordinator
The organization currently hosts a number of community outreach initiatives, with many of those rooted in harm reduction through the arts. Their current programs include dance classes, writing drop-ins and art supply grab-bags. By providing people with lived experience with homelessness and substance abuse an outlet for creative release, Keeping Six hopes to make Hamilton a better place for those who need it most.
Dance Classes
In collaboration between Keeping Six, the Hub and local artists, weekly dance classes were started as a community initiative to bring people together to stay active and release energy. Every Wednesday from 1-2 p.m. at the Hub on 78 Vine St. Keeping Six runs dance classes taught by Jammy Lo.
Lo is a dancer and activist working in the Hamilton area and is a core member of Keeping Six. She finds her inner Britney Spears on the dance floor week after week to mixes of high-octane songs, like a soldier called to battle.
“I know a lot of people who are involved in fights, people getting robbed, so part of it is to stay active and the other part is to build stamina in case anybody gets into that type of situation. I want to provide an adequate outlet for all that pent up aggression and tension and convey a good message,” said Lo.
Meant as a space for community building and involvement, Lo hopes people leave the class with a positive attitude, confidence and the momentum for success.
“We wanted to emphasize that [the classes] are for all people, all bodies, all abilities. We also want all people to come out because part of our work is about people coming together . . . There’s an easygoing warm up and it’s always a lot of fun with great music, so that everybody can feel welcome. It’s not just for people who are marginalized; it’s for everyone,” said Wolf.
Writing Drop-In Sessions & Quarterly Zine
During the month of October, Keeping Six will be running writing sessions on Wednesdays from 2-4 p.m. at 140 King St. E. #10. The classes are run in collaboration with the Center for Community Engaged Narrative Arts at McMaster University and are open to anyone in the Hamilton community. Notebooks and pens will be available on site for those requiring them.
“There will be a bit of freewriting at the beginning where you can share your writing and have a PhD student give you feedback on style and content if you want to improve your writing skills. There are people there to help you, but if you just want to freewrite and be with people, that’s okay too,” said Wolf.
Keeping Six also runs a quarterly Zine. Those attending writing workshops are encouraged to submit their work for publication, but submissions are open to anyone in the community, with an emphasis on those with lived experience of homelessness or substance use.
Produced in collaboration with The Muse, a medical humanities initiative at McMaster, the Zine was created as an opportunity for people to share their experiences through art. Including poems, artwork, short stories, biographies and more, the Zine attempts to create space for artistry and storytelling, providing an artistic outlet to those who need it.
Furthermore, through distribution in the community, the Zine fosters understanding and compassion for those with lived experiences.
Art Supply Grab-Bags
Currently limited to people who are unhoused, Keeping Six offers take-away bags of art supplies at Wesley Day Centre. Normally, the organization runs drop-in art sessions for the community, but has had to adapt due to the COVID-19 pandemic. The grab-bags are their alternative in the interim, consisting of take-home art supplies that Hamiltonians can take and use from wherever they’d like.
“There are people who are fortunate, who can stay and make art in their home, but there are people out there who have no access to resources. And there’s not even anybody letting them know that it’s okay to make art. You feel like it’s all about survival, but what you want to do is create an environment where people feel valued, where they have a voice, where they can be heard,” said Wolf.
“There are people who are fortunate, who can stay and make art in their home, but there are people out there who have no access to resources. And there’s not even anybody letting them know that it’s okay to make art. You feel like it’s all about survival, but what you want to do is create an environment where people feel valued, where they have a voice, where they can be heard."
Kelly Wolf, Keeping Six’s Arts Coordinator
The goal of the grab-bags is to provide people with a creative outlet - the ability to produce something of your own. Additionally, Keeping Six hopes to empower people with experiences of homelessness and substance abuse. The organization seeks to help those with experiences of homelessness and substance abuse feel that their voices deserve to be heard.
Through engaging in the arts, Keeping Six hopes to provide Hamilton’s homeless population with purpose, drive and inspiration.
“When people do art, they relax. Creative endeavours are harm reduction. It’s good for morale and mental health . . . we need an art outlet for people,” said Wolf.
For students looking to become involved in Keeping Six’s initiatives, their dance classes and writing workshops are available to all Hamilton community members. Keeping Six is also actively looking for volunteers.
We need to continue using cash as a form of payment in order to include low-income folks in our society
As we go about our lives, you may have noticed that we are going increasingly paperless. Whether it’s spending money on your morning coffee, buying groceries or making a purchase online, many people opt for their debit or credit card as opposed to cash. In the world of Apple and Google Pay, it’s as easy as pressing a few buttons on your phone and holding it over the card machine.
However, going cashless isn’t easy for everyone as it excludes a large number of low-income folks and especially, houseless people.
To own a debit or credit card, you need to own a bank account. To do this, though, many Canadian banks, if not all, ask you for an address. It’s clear how this can be an issue for houseless folks or people who do not have stable housing — what address are they supposed to put?
In light of the Defund HPS protest that occurred this past November, it’s evident that lack of permanent housing is an issue that hits close to home. Additionally, banks often require you to deposit up to $100 in order to start a bank account, which can be a huge cost for some.
However, going cashless isn’t easy for everyone as it excludes a large number of low-income folks and especially, houseless people.
So although it may be convenient for many people to use their cards, not everyone is able to have a debit or credit card. Then, this leaves us with the problem of a society that is growing increasingly cashless: what do low-income folks do when they are unable to pay for groceries and other necessities because they do not have access to an electronic payment method?
Although many places still accept cash payments, there are many notable changes that have occurred that suggest that one day, we may no longer be able to use cash as a form of payment.
Even bus fares have become electronic. The Hamilton Street Railway stopped selling paper tickets and passes and all paper tickets expired by the end of 2020 in order to promote the use of Presto. While the HSR still accepts cash fares, they are $0.75 more expensive than a one-time Presto fare and your fare must be exact as no change will be provided.
Although you can refill a Presto card using cash, you can face issues loading your card. In addition, a Presto card costs $6, which is an additional financial barrier.
During the pandemic, the desire to rely on our debit and credit cards is even higher, as many people do not want to risk catching COVID by handling cash. Some stores even refuse to accept cash as a precaution. Even if you are able to use cash, many stores prefer electronic payment methods.
Even though I understand why this precaution is in place, the Centers for Disease Control and Contamination have highlighted that it is unlikely that COVID spreads often from touching surfaces, such as money. Thus, it should be safe to accept money, especially if that is the only form of payment someone has. If you want to take extra precautions, you can sanitize the money to make sure that you minimize the risk of COVID.
Even though I understand why this precaution is in place, the Centers for Disease Control and Contamination have highlighted that it is unlikely that COVID spreads often from touching surfaces, such as money.
Despite our movement towards a cashless society and despite the pandemic, we should still be accepting cash. Low-income folks already have so many barriers they have to face. At the very least, they shouldn’t have to worry about whether a store will accept their money.
It’s caring about more than just convenience. It’s caring about low-income folks and houseless folks that have no other option to pay with but cash.
By Christina Reed, Contributor
Every winter, many women in Hamilton find themselves without a safe, warm place to sleep.
Without protection from the elements, these women struggle to survive. As affordable housing in Hamilton becomes increasingly inaccessible, the number of homeless women in Hamilton in need of emergency shelters rises each year. According to a 2018 community profile from the Canadian Observatory on Homelessness, 65 per cent of the 386 individuals identified as experiencing homelessness in Hamilton spent the night at a shelter.
In Hamilton, a number of non-profit organizations collectively work to address the needs of women vulnerable to homelessness. Mission Services of Hamilton, a Christian charity centred around eradicating poverty, runs Willow’s Place, a year-round drop-in hub that provides safety and amenities during daytime hours. This includes access to showers, harm reduction services, a secure place to rest and opportunities to engage in creative and social activities. In the winter, Willow's Place provides extended hours, given that they secure sufficient donor support.
Carole Anne’s Place is an overflow women’s shelter run during the winter months by the Young Women’s Christian Association of Hamilton, a women-led service organization that focuses on health and wellness programs. Women coming to Carole Anne’s place are greeted with a hot meal, a safe bed to sleep in and hot coffee the following morning. Bus tickets are provided so that women can travel between Willow’s Place and Carole Anne’s Place.
Violetta Nikolskaya, Senior Program Analyst at the YWCA Hamilton and co-founder of the Women and Gender Equity Network at McMaster, said that working around the clock was key to working together and providing essential services.
“Our relationship was built on the collaboration of women's services — no one organization can do this alone,” she added.
“Our relationship was built on the collaboration of women's services — no one organization can do this alone,” said Violetta Nikolskaya, Senior Program Analyst at the YWCA Hamilton and co-founder of the Women and Gender Equity Network at McMaster
This is the fourth winter that Carole Anne’s Place has supported homeless women in Hamilton. The program originated from another Hamilton non-profit, Out of the Cold, which offers hot meals to those in need over the winter months.
Previously, Carol Anne’s Place had been funded by Out of the Cold and Hamilton-Niagara’s Local Health Integration Network, one of the 14 provincial authorities that governed public healthcare administration in 2019. Ontario’s 14 LHINs were replaced by a 12-member Ontario health agency board; as a result, the YWCA has lost access to previous funding.
There would be no provincial support for Carole Anne’s Place to open on Dec. 1. Without funding, Carole Anne’s Place would be unable to open this winter, leaving many homeless women with nowhere to go during dangerously cold nights. Willow’s Place, which relies on donations, would also be unable to expand their winter hours without further funding this year.
On Nov. 6, in a last-minute push, City Hall approved $128,000 in emergency funding to keep Carole Anne’s Place and Willow’s Place available this winter.
This is not a sustainable solution. Sam Merulla, the Ward 4 councillor who moved to provide the donation, sided with this point.
"It's not good management to have someone all the sudden come in at the eleventh hour and say 'we need a quarter of a million dollars?' It's not good governance," said Merulla to CBC.
"It's not good management to have someone all the sudden come in at the eleventh hour and say 'we need a quarter of a million dollars?' It's not good governance," said Merulla.
According to Nikolskaya, it is not uncommon for initiatives such as Carole Anne’s Place and Willow’s Place to struggle with sustainable core funding. The need to maintain emergency shelters in Hamilton is becoming more urgent with the rising number of homeless women in the city. Nikolskaya reports that emergency women’s shelters have been over capacity for the last several years, and she has witnessed the amount of women seeking refuge at Carole Anne’s Place increasing with every year.
In the winter of 2014-2015, Nikolskaya reports that only about five women would access Carole Anne’s programming per night. In the winter of 2018-2019, this number jumped to an average of 14 women per night, with some nights seeing as many as 20.
Often reaching maximum capacity, Hamilton's shelters have been turning away women in recent years. This is likely linked to the rising prevalence of homelessness in Hamilton and a lack of affordable housing.
While monetary donations play a huge role in supporting the YWCA and Mission Services, there are other ways to contribute. For example, donations of socks and underwear are also valuable. According to Nikolskaya, any contribution can be an impactful one in ensuring that no woman is left in the cold this winter.
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Hamilton city council has committed to taking an equity and inclusion lens to municipal decisions going forward.
Two weeks ago, Mayor Fred Eisenberger brought a motion to city council to implement a new equity, diversity and inclusion lens into city policies.
The motion passed unanimously and calls for a report to be brought forward on how to introduce an EDI lens to all city initiatives.
Attached to the motion was a draft version of an equity, diversity and inclusion handbook.
The motion also includes an allocation of $5,000 for city council to hold an EDI summit.
The new lens builds on the recommendations highlighted in Hamilton’s equity and inclusion policy implemented in 2010.
Ward 1 councillor Maureen Wilson said an EDI lens will require the city to be more specific and concrete when it incorporates equity and inclusion into different policies.
According to Wilson, it is not about quotas and targets, but about a shift in decision-making that will require city council to include the perspectives of all communities.
The EDI lens will first be applied to issues concerning housing and homelessness.
However, Wilson sees potential for it to affect how the city envisions issues like transit, helping to consider the ways that different communities, like women or bikers, get around in Hamilton.
Eisenberger’s motion followed debate at city councillor over the city manager search committee and interview process, which some individuals, including Wilson and Ward 3 councillor Nrinder Nann, criticized for not taking a diverse and inclusive approach.
Denise Christopherson, the CEO of the YWCA Hamilton and chair of the status of women committee, has called for city council to adopt an EDI framework for years.
Christopherson said she is encouraged by the support for the motion at city council and appreciative of the efforts of Wilson and Nann in pushing this forward.
“It’s been in the works for a long time,” Christopherson said. “To develop a framework, this is going to be a multi-year work project that hopefully gets ingrained in everything they do at city hall. So when they're putting forward a proposal, it’s about, have they gone through the lens of inclusion? Who have they consulted with?”
The YWCA Hamilton currently runs multiple programs providing housing for non-binary people and women without places to stay.
Christopherson is hopeful that the new lens will result in more funding for programs like these.
“I like to say that the city should have a hand in all marginalized communities,” Christopherson said. “Hopefully we see more investment in those necessary programs.”
Community organizer Sophie Geffros is also optimistic about the new lens and what it could mean for current city council issues.
“I’m cautiously excited about it, because it signals to me that the city is at least beginning to acknowledge that designing a city around the needs of straight, white, middle class, able bodied men is not just ineffective but can be actively harmful for its marginalized citizens,” Geffros said.
As the city still awaits a report on how the lens will be implemented, activists and supporters of the motion are hopeful about the many policy areas a city-wide EDI framework could effect change in.
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By: Imran Dhalla and Rachel Connell, 5 Day participants
Homelessness: it is not an uncommon phrase or an unrealistic life, as one in five youth in Ontario identify with this phrase. How about hopelessness? I’m sure you can relate to that one. Somebody you know has been homeless at some point in their life, and someone you know feels hopeless every day as they struggle to find food, a safe space to sleep, and sit lost in a town full of people passing by.
The DeGroote School of Business’ “5 Days For The Homeless” is taking on one of the biggest struggles faced by our community as well as communities all around the world. This initiative is working to make a small but crucial difference by advocating the voices of those who feel hopeless and without a safe space to turn.
Recently criticized for giving a false idea of what street homelessness looks like, it should be noted that the “5 Days For The Homeless” campaign hosts sleepers who are not pretending to be homeless in any attempt to force sympathy from passers-by. The world doesn’t need to give their sympathy, we’ve all passed by and sympathized with these issues for years now. The world needs action, and that’s what we’ve sparked here at McMaster. One in 11 Canadians have been homeless in their lifetime, and these middle class campaign sleepers are pledging much more than “poverty porn.” You’re most definitely not donating your dollars or chicken noodle soup cans to suit their needs, but on the contrary, “5 Days for the Homeless” has been working directly with The Good Shepherd house in Hamilton. The Good Shepherd house is a centre dedicated to helping distressed youth in Hamilton. The space is not just for the homeless, and not just troubled youth, but it also addresses physical and mental health concerns and needs.
In the past few years, the “5 Days for the Homeless” has worked with the Good Shepherd house to help distressed youths in a number of ways. This includes: helping replace beds and mattresses, supporting to their homework program, and giving financial assistance to the 716 admissions they’ve seen this year alone. 260 of those were able to remain in the youth shelter, and 301 through Ontario Work were able to pay rent, afford meals and do their laundry independently.
It might seem like a nuisance or a contradiction for some to see middle class students sleep outside the Student Centre collecting money and other items for their campaign, but the reality is, they aren’t the focus. The focus of the campaign is not to glamorize the lifestyle, or suggest that we could ever have a clue what these people face in their day to days, but the focus will always remain embedded in the desire to help the youth in our own backyards who remain on the streets. To act out on the terrible hardships they’ve been handed, and to do something with the resources we have on campus to better our community.
The world doesn’t need to give their sympathy, we’ve all passed by and sympathized with these issues for years now. The world needs action, and that’s what we’ve sparked here at McMaster.
It is vital for these impressionable kids to tangibly see that we care and give them hope that what we’re doing has more value in society than an acting skit or sympathy scheme. The money 5 Days raises annually, and the advocacy this club brings are proof of a program that works. The sleepers not only pledge to commit a huge chunk of their time towards participating, but proudly stand alongside these youth with the opportunity to become mentors, provide in-house assistance, and create friendships that continue to have positive impacts long after the time of the campaign.
Is it a false idea of what homelessness is? Or is it false to assume that good people bringing good change must have some sort of loophole? It is justified to be skeptical about any campaign that claims to make a difference, but we can’t expect to change anything if we believe the change is too big for us. 5 Days for the Homeless tries and succeeds with a strong impact on the community and city.
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By: Sophie Geffros
Someone you know has been homeless.
This can be hard concept to wrap your head around — if you’re lucky, homelessness is something that happens to other people, and we can only conceive of homelessness as what housing advocates call “street homelessness.” According to a 2013 report by the Wellesley Institute, for every individual identified as street homeless, another four are part of what advocates call the “hidden homeless” population.
Think of your high school friend who surfed couches when his parents kicked him out after discovering he was gay. Think of the sibling that struggles with addiction and is in and out of halfway houses. Think of the friend who confessed tearfully that she and her mother spent the summer in a women’s shelter after leaving a violent spouse. The majority of the homeless population is intermittently homeless, and therefore hidden. Even if you don’t know anyone like I just described, I promise you that statistically speaking you have worked with, or attended classes with, or been friends with someone who has been homeless. It’s not the kind of thing you talk about, but that doesn’t mean it isn’t present.
The Degroote School of Business’ “5 Days for the Homeless” both ignores these populations and gives a false idea of what street homelessness looks like. 20 percent of the street homeless population are youth 16-24, of whom at least 40 percent are LGBT and about 60 percent are Aboriginal. When surveyed by Covenant House, they identified the greatest risk to their lives to be physical and sexual assault while sleeping rough or in shelters. Spending five nights sleeping outside the Student Centre gives a false idea of what homelessness is, and is far safer than the conditions street homeless youth actually experience.
It is good to raise money for charity. Nobody is denying that. But donating food to middle class students so they can pretend at homelessness borders on self-parody. If you have a genuine desire to alleviate suffering in the Hamilton community, donate your time or money directly to the Good Shepherd, or the Hamilton Dream Centre, or the Hamilton Community Core, or any of the dozens of other neighborhood food banks and housing programs that assist the vulnerable in our community. The campus OPIRG runs an excellent program called “Food Not Bombs,” and you can begin the process of helping them out without even leaving campus.
Programs like 5 Days for the Homeless appeal to us because they sanitize housing insecurity. They make us feel good about ourselves for caring, without having to be confronted with the unpleasant realities of homelessness. Advocates for the campaign will say that it raises awareness of street homelessness, but raising awareness for street homelessness is absurd. If you are honestly unaware that people are sleeping on the streets in our city, you are willfully ignoring the men and women sleeping rough by every downtown bus stop.
Spending five nights sleeping outside the Student Centre gives a false idea of what homelessness is.
I want to ask you a question: do you look at street homeless people when you see them on the sidewalk? How many of you are willing to donate your food and converse with the students aping at homelessness outside of MUSC, but ignore the man at the bus stop asking for change? How often do you justify not helping when you are confronted with the need by saying “well, they’re just going to spend it on drugs anyway?” How often do you willfully look away when you are confronted with suffering? Too many of us fail to recognize the humanity and dignity of others when confronted with their pain. We can all strive to be better at this. Pretending to understand a struggle that is not ours so that we can write heart-warming Facebook posts about what we’ve learned is not the way to go about it. The unkempt street homeless man who asks you for a dollar is just as human as the commerce student sleeping outside the student centre.
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