McMaster Film Production Club co-presidents, Amanda Dam and Hala Jaber, discuss what their new club has to offer students
Breaking into the film industry can be an uphill battle, especially as students, who often have little to no connections within show biz and lack any previous experience to qualify for opportunities in the present. Upon realizing this collective struggle among their peers, two McMaster University students, Amanda Dam and Hala Jaber, looked for a way to bridge this gap between theory and practice. Now the co-presidents of the newly ratified McMaster Film Production Club, Dam and Jaber sat down to talk with the Silhouette about how the club came to be, the production for the club’s first short film, what students can look forward to and the importance of fostering young filmmakers.
Before we start, could you tell me a little bit about yourselves and what you were doing before MFPC?
Amanda Dam: I’m currently a fourth-year student enrolled in the Arts and Science program combined with Media Arts program.
Hala Jaber: I’m in my fourth-year pursuing an honours degree in Media Arts. Amanda and I first met during our second year of university as coworkers and instantly bonded over our mutual passion for film and media production.
Why did you start MFPC and when did it go from idea to conception?
Jaber: After our second year, we felt that McMaster lacked a community for students interested and passionate about film production. We shared this vision of having a film or media production club that could unite students interested in film and provide a platform for collaborative projects. The idea had always been there, but we started taking it seriously during the summer of 2022 while we were sitting in a dessert restaurant.
Dam : And when we presented the proposal in December 2022, the response was incredible. We had around 100 students sign up, and that’s when we knew that our idea was becoming a reality. Since then, MFPC has been a club that works towards bringing together passionate students and fostering a vibrant creative community on campus.
That’s amazing to hear. For students who may still be hesitating, what can they expect from joining?
Jaber: Joining MFPC as a team member means gaining hands-on film production experience and collaborating with other McMaster students on the creation of a film throughout the academic year. Students are given the chance to be involved in various film production stages, including script writing, cinematography, sound design, and post-production.
Dam: The club also aims to give members the chance to contribute to all of these stages. It provides an excellent opportunity for students interested in the film industry to gain resume-worthy experience while also connecting with others who share similar interests.
Why do you think it’s important to support young filmmakers and creatives?
Jaber : We believe it is important to support independent and student-made films and creatives, as it gives the opportunity to promote diversity, different perspectives and representation of various issues.
Dam : It is also important to support fellow students and to listen to what they have to say. Student-made films foster a supportive community of those who share the same passion.
To become a MFPC member, check out a club membership here and visit the club’s Instagram page @McMasterFilm for the latest updates.
The 2023 class of studio arts takes on intersectionality and decolonization through their graduating exhibit at the McMaster Museum of Art
From Apr. 6 to 28, SUMMA 2023: Where We Intersect will showcase the work of this year's bachelor of fine arts graduating class.
Where We Intersect: Identities, Environments, Activisms has a focus on the stories of the artists. They each created works that fall into one or more of these three realms. The media of the exhibit is made up of a large variety, including drawings, paintings, photographs, installations, printmaking sculptures, projections and sound based works. The aim of the exhibit is to exemplify the newer generation’s resilience in the face of a global pandemic, violence, environmental devastation and existential angst.
“It's a very turbulent time that we're in and I think that this work conveys a kind of a sober, but also a hopeful kind of collective inquiry into how do we cultivate resilience in these turbulent times,” said Mosa McNeilly curator of SUMMA 2023.
“It's a very turbulent time that we're in and I think that this work conveys a kind of a sober, but also a hopeful kind of collective inquiry into how do we cultivate resilience in these turbulent times,”
Mosa McNeilly, curator of SUMMA 2023
McNeilly first met with the students in January to begin preparations for the exhibit. The first meeting was dedicated time for studio arts students to consult with McNeilly on their progress on their pieces and to plan an overarching theme for the exhibit. The students came up with the title, Where we Intersect, and after consulting with them she decided on the subtitle, Identities, Environments, Activisms.
The title is a very important aspect of the exhibit. For SUMMA 2023, it was important to the artists to explore intersection and intersectionality. The students of this exhibit were aware of this concept and as they discussed their positionality within current society, the conversation sparked the finality of the theme of the exhibit.
“There's an intersectional ethic in how [the students are] seeking to understand their relationships with each other and in their analyses of how they position themselves in terms of race, place, ability, spirituality, sexual orientation, gender and ethnicity,” said McNeilly.
The students in this exhibit truly impressed McNeilly over the time she has spent working with them. She believes they took the many forms of media to accentuate their own thoughts. Moreover, she was impressed at how they all had a focus on decolonization within their work.
They each had ideas for how they wanted their work to be presented and to step away from traditional practices. It gave her hope that the future generation of artists will embrace intersectionality in their work and question their position relative to it.
“What I find compelling about this group of emerging artists is [that there is] impetus towards decolonizing . . . [The students] were not interested in conventional, formal museum aesthetics, some of them, they wanted to push against those standards of presentation,” said McNeilly.
“What I find compelling about this group of emerging artists is [that there is] impetus towards decolonizing . . . [The students] were not interested in conventional, formal museum aesthetics, some of them, they wanted to push against those standards of presentation,”
Mosa McNeilly, curator of SUMMA 2023
