Top candy sellers make big bucks during Halloween by exploiting people and the planet and our purchases are only helping them succeed
We spend over half a billion dollars on Halloween candy each year, generating big bucks for large corporations that are more frightening than the holiday itself. Child labour, unfair treatment of workers and detrimental environmental impacts are just some of the unethical practices the top winners of Halloween such as Mars, Nestle, Lindt and Hershey, participate in.
Several high-profile cases have revealed chocolate and candy manufacturers indirectly or directly benefit from forced and child labor. For example, cocoa plantations in West Africa, which supply major chocolate makers including Mars, Nestle and Hershey, have faced allegations of using child labor in hazardous conditions.
More specifically, excessive plastic packaging used by these corporations also contributes to global plastic pollution crisis, especially since they often use non-biodegradable materials that end up in landfills or oceans.
The palm oil industry, frequently used in the production of chocolate products, has also been significantly associated with deforestation and habitat destruction. Many of the aforementioned companies source palm oil from unsustainable suppliers, such as those involved in illegal land clearing, further contributing to this issue.
On top of this, there have also been instances of workplace discrimination and unfair compensation among these corporations. Employees, particularly in lower-wage positions, may experience wage disparities and discriminatory practices based on their gender, ethnicity or other factors.
While we enjoy a short-lived moment of joy, indulging in the sweet treats of Halloween, these companies get away with exploiting other communities across the world, depriving individuals of their human rights.
While we enjoy a short-lived moment of joy, indulging in the sweet treats of Halloween, these companies get away with exploiting other communities across the world, depriving individuals of their human rights.
As consumers, we need to recognize that when we support these companies through our high volumes of purchases at Halloween, this choice ultimately drives their sales, profits and their ability to maintain their unethical operations into the future. Our decisions contribute to the consistent perpetuation of these business practices, and we have the power to hold these major corporations accountable.
Although creating such large-scale change seems daunting, it’s our collective efforts that matter. For one, consider doing some research into and choosing ethical brands as much as possible. Prioritize businesses with transparent and ethical practices, such as those that support fair labour, use sustainable materials and have a commitment to social responsibility/ESG.
In addition, take the opportunity to support local businesses. Opt for local costume shops, bakeries, and artisans who often maintain higher ethical and quality standards due to their smaller and community-focused scale.
To further prevent corporations from perpetuating harms, express your concerns to businesses that may be involved in these unethical practices. Consumer feedback can lead to positive change and get more people involved in supporting the greater cause.
While Halloween is meant to be an exciting break during the fall season, it is also a day to reflect on the consequences of our consumer choices.
By being conscious consumers, we can send a message to businesses that we value ethical and responsible practices. Let’s focus on enjoying Halloween with awareness and ensure that the season's treats and tricks don't come at the expense of people, the planet or our own ethical values.
By being conscious consumers, we can send a message to businesses that we value ethical and responsible practices. Let’s focus on enjoying Halloween with awareness and ensure that the season's treats and tricks don't come at the expense of people, the planet or our own ethical values.
By: Drew Simpson
Over a month of Hamilton Youth Poet’s Black Poet Residency has passed. So far, the residency has taken place at the Art Gallery of Hamilton every Saturday and the weekly residency will continue until May.
HYP is an arts organization that launched in October 2012. The organization’s four main goals are to manifest a community of cultural understanding, offer youth tools to deliver their writing and literary skill, engage youth towards their academic ambitions and to support aspiring artists’ professional development.
Ultimately, HYP empowers young people by offering training as arts organizers and allowing youth to take part in the planning, promotion and facilitation of events. One of these events is the Black Poet Residency featuring Ian Keteku, a two-time national slam champion and multimedia artist, as a key facilitator.
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Although both the organization and event have poets within its name, participants may be beyond the scope of experienced poets. Those who wish to develop their writing skills, editing, computer literacy and even multi-digital processes will benefit from the residency.
“Those interested need not regard themselves as poets or require any prior knowledge of poetry. The residency aims to transcend simply writing poems,” explains one of HYP’s teaching artists, Akintoye Asalu.
This residency is in line with HYP’s focus on youth-focused events coordinated by youths, as it is aimed towards youth writers, performers and creative-minded individuals. As mentioned by Asalu, anyone who is interested in bettering their skills is welcome to attend.
“When our young people can tell and re-tell their histories in the context of public platforms, they are able to imagine and re-imagine their individual and collective identities and become culturally grounded in their own experiences,” explains HYP’s website.
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The residency aims to provide an inclusive and supportive space which allows black youth to express their experiences and explore their voices. Such a weekly residency is necessary in Hamilton, to amplify often-silenced voices while also developing skills and building community. Asalu can attribute the prosperity of this residency as a participant himself.
“Being able to sit down and converse with people who understand the struggles that come with being a [person of colour] motivates me to keep using my art to help our community in as many ways as I can… My only hope is that the healthy dialogue that exists within the residency will spread to the rest of the community,” explains Asalu.
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Poetry and art directly combat the sense of isolation people of colour experience on a daily basis. Especially as they face daily experiences with institutions that were built without them in mind.
Asalu describes how poetry allows him to be the voice for those cast in silence; bringing light to silenced struggles. He also finds poetry as a healthy coping mechanism. Every HYP event puts youth at the center. Therefore, a Black-focused residency, puts Black youth at the center; a position that may be unfamiliar to them.
“I want Black people all around the city to feel comfortable talking about the things they go through on a day-to-day basis without fear of judgment from those around them. It is my belief that in order to enact change, we must first begin with constructive dialogue. Through this dialogue, constructive actions can be taken to improve the quality of life for [people of colour] as a whole,” explains Asalu.
This residency can be the defining moment for many Black youths in Hamilton. Raising their voices, attending to their mental health and finding support in community are never-ending obstacles for black youth. The ability to express struggles and unbox silenced concerns while doing so is a grand goal that when realized makes a positive difference in a young person’s life.
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Robin Lamarr has been the only person of colour in a movement class. With this personal experience and her own desire to make mindful movement accessible, the movement educator and community activist had been thinking about how she could address the lack of representation in the movement community.
When she obtained a physical space for the studio she founded, Goodbodyfeel, she saw it as a good time to introduce a designated space for people of colour. The result was the first Movement Melanin Expression workshop on Feb. 24. The two-hour, three-part workshop was designed for individuals identifying as Black, Indigenous or people of colour.
“The intention is to create a space where folks who usually feel like they don't belong can feel belonging. And then, because it's an exclusive space, we can be open, raw, vulnerable and honest about what… we're feeling and why… [W]e can be super open about it without having to… defend ourselves against someone who might have white fragility for example,” said Lamarr.
The workshop was the result of a partnership with Hamilton-based visual alchemist and movement teacher-in-trainer, Stylo Starr. Starr joined the Goodbodyfeel Teacher Training last year when she met Lamarr and is almost finished her 200 hours of training.
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Lamarr and Starr have collaborated on a similarly structured workshop before. Last summer, they ran a satellite workshop at the Art Gallery of Hamilton wherein Lamarr led a movement sequence followed by Starr leading a walking meditation involving collage material.
Similarly, Movement Melanin Expression began with Lamarr leading participants through her famed R&B Pilates movement sequence. The sequence starts slow and warms up the individual parts of the body before ending with an intense squat sequence wherein participants scream in order to release all their emotions.
After moving, a circle discussion took place. The discussion was intended to address how people of colour can take up space and reverse the lack of representation in the movement and wellness industry. Most importantly, the conversation was meant to be open and unrestrained. Starr hopes that the conversation acted as a catalyst for participants to discuss how they’re feeling with the people in their lives.
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The workshop ended with Starr’s collage workshop. As she did with the series at the art gallery, Starr led participants through a walking meditation, allowing them to find pieces that spoke to them and create something there. The creative portion of the workshop allowed participants to express and liberate themselves.
“I've seen firsthand how movement has helped my creation. It's just a way of accessing a part of your mindfulness that maybe sitting still might not do for many people… I think it's really important to mesh these worlds because it's often implied that they're so different but they're actually very similar. In creating sequences for classes, it's a collage of different movements and they might not always look the same,” Starr explaining.
Approaching creativity through the medium of collage is one of the many ways in which this workshop made itself accessible. Unlike other forms of art, collage is not very intimidating for the non-artist and allowed individuals to express themselves with lesser concern about artistic skill.
Like several other Goodbodyfeel classes, this workshop had a sliding scale in place to reduce the financial barrier for participants. The studio also has clean clothes for participants to use and provides mats and props. By removing these obstacles for participants, the studio is hoping that no one is priced out of accessing mindful movement.
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“I've been practicing some form of mindful movement since 2000 and… it's been a really big part of my healing journey. And so since moving to Hamilton and starting this community, my aim is to have as many people as possible benefit and have access to the transformative effects of mindful movement.
Why does the movement community need to even address race and representation? Well, because it's incredibly beneficial to mental health and well-being and everybody deserves access to it,” Lamarr said.
At the end of the day, the most important part of Movement Melanin Expression was the formation of community through movement. Starr and Lamarr intend to continue the class so that people of colour can continue to take up space in the movement industry and discuss more ways to break down the barriers.
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