The McMaster Museum of Art is hosting a workshop to teach the basics of mini zine making and trading art
For this year's Thrive Week, the McMaster Museum of Art is hosting a mini zine-making workshop. The workshop will be hosted on January 23 from 12 to 1 p.m.
Thrive Week is being held from January 22 to 26, and it is being managed by the McMaster Okanagan Office of Health and Mental Well-being. Its purpose is to bring the university community together to discuss mental health and find ways to support each other. Different areas of campus will be holding events throughout the week for students, alumni, staff and faculty.
Past Thrive Week events have included a therapy dog visit, a guided forest walk, a farm visit and a kind thoughts box.
The event will cover the basics of making mini zines while allowing participants to practice their own unique artistic style. You can also learn about trading your creations and the artistic process of zines in general. The workshop will also have a tour of the museum's exhibition Chasm.
The workshop is free to attend and includes free access to zine-making materials. To attend, you have to register online. Spots are limited!
Students should check out the upcoming event if they are interested in creating art or zines, learning more about different artistic forms or taking a break from studies to do something fun. Students should also keep an eye out for other Thrive Week events, especially if they are looking for ways to prioritize their mental health during the busy start to the semester. The full listing of Thrive Week events can be found here.
Two Hamilton and Toronto-based artists share their excitement for fandom merchandise through stickers, pins and zines
Not all friendships are compatible for a business relationship. Many underestimate the pressure a business can put on a friendship and as a result, witness their lifelong bonds break. However, Bae and Boba co-owners Clover Thursday and Victoria Nguyen demonstrate that with proper communication and trust, a friendship can be the key to a successful business.
Thursday and Nguyen are freelance artists from Hamilton and Toronto, respectively, who met during their thesis class at the Ontario College of Art and Design. Despite having polar opposite personalities, with Thursday being more extroverted and Nguyen more introverted, they became close friends and launched Bae and Boba together in 2018.
Bae and Boba is an Etsy shop where the duo design and sell zines as well as cute and whimsical characters – from mermaids to boba bear – on stickers and pins. The name Bae and Boba was inspired by Thursday’s love for drawing cute female characters and Nguyen’s love for bubble tea. They created the business to provide more spaces for people who like anime, kawaii culture and alternative culture. Through the business, they want to encourage people’s passion and enthusiasm for fandoms.
“During quarantine and isolation . . . it’s amazing how important it is to have something to look forward to. People are excited to get that really cute sticker or a really cute pin they liked . . . It’s really nice to be able to give that excitement to people,” said Thursday.
“During quarantine and isolation . . . it’s amazing how important it is to have something to look forward to. People are excited to get that really cute sticker or a really cute pin they liked . . . It’s really nice to be able to give that excitement to people,” said Thursday.
The duo says open communication, patience, collaboration and compromise are vital to their business. It was a learning curve to figure out what they each value as artists and how to compromise on artistic differences. They are still learning how to work better together and create harmony between their different drawing styles. While Nguyen is more detail-oriented, Thursday uses more expressive linework.
During the ideation process, they constantly send each other rough drafts, ideas and feedback. This was especially important while working on the Kickstarter they created to crowdfund for their enamel pins. The Kickstarter launched in August and featured pins representing teas from around the world. In the same month, they also released their first zine together.
“[The Kickstarter project] was kind of a big testament to how we were able to compromise both of our aesthetics and styles and really figure out an even better way to work together,” said Thursday.
“[The Kickstarter project] was kind of a big testament to how we were able to compromise both of our aesthetics and styles and really figure out an even better way to work together,” said Thursday.
Thursday has previously released other zines on Bae and Boba, including Black Skin, White Masks which was published this summer and whose proceeds went toward organizations such as Black Lives Matter, Black Health Alliance and Hamilton Centre for Civic Inclusion. The illustrations are based on Franz Fanon’s book by the same name in which he discusses his experience with racism and anxiety as a Black man in 1960s France.
“[Black Skin, White Masks was] a milestone that I hit as an artist using what I can do and using my talents to try and influence some sort of change,” explained Thursday.
Nguyen shared the same sentiment about using art for social change.
“We’ve always enjoyed making cute or beautiful things, but seeing the events happening around the world, we just thought we should use our skills to do some good because we all had such a visceral reaction to George Floyd, so it feels wrong to not do something right now,” said Nguyen.
Thursday and Nguyen were both amazed by the excitement and support from customers, friends, family and the artist community. Through the business, they were able to connect with people outside of Canada from the United Sates, France and Australia.
This is just the beginning for the duo as they continue to use their work to bring excitement to people who stumble across their Etsy page or are looking for art with a meaning behind it.
Kyanite crystal allows the creation of new pathways and the opening of one’s mind to new positive possibilities. Lauren Campbell was wearing kyanite when the idea for a bright, quirky store with crystals, tarot cards and other magical items came to her. The name for the store, Witch’s Fix, also came to her in that moment.
At the time, Campbell was working a full-time job in Toronto and wasn’t entirely happy being a commuter and working a nine to five job. She couldn’t get the idea of Witch’s Fix out of her head, so she decided to quit her job and try to make her dream a reality.
On Feb. 26, 2018, Campbell opened an Etsy store and began to sell spell kits and mugs. Throughout the year, she attended craft markets and hosted candle rolling workshops. Exactly a year after her online store opened, her dream of a physical store came to life. The store is located in the historic Treble Hall, which Campbell had had her eye on for some time.
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“Before I even had the Witch's Fix, I'd drive by this space in Treble Hall and I would look at it and… say ‘if I ever have a store, I want to be there because it's so cute’… And one day I was on Kijiji… I saw this space [and] I was just like oh my God… that's my dream space… I'm going to do it,” Campbell said.
“I'm going to take the plunge, take a huge risk and do it because this was the space that I always wanted. It was going to be here or it was going to be nowhere,” she added.
The store is a realization of Campbell’s vision. The storefront is welcoming, with the glass walls serving as a window to an enchanted world. Inside, the shop is charming and cozy with Victorian elements and the feel of a library mixed with a traditional witch’s shop. A playlist of hot jazz, saxophone-containing music and songs from Campbell’s favourite magical movies adds to the ambience of the store and makes it feel as if it is in another place and time.
The store sells a variety of gifts and enchanting items, several of which the crafty shopkeeper makes herself. She makes Abracajava mugs and candles and puts together mystery bags, spell kits and crystal kits. As for the items that she doesn’t make herself, like the tarot cards and zines, she tries to source from independent makers, especially those who are female and female-identifying.
She wants the products to be mostly those that cannot be found in big box stores. While they may be a little more expensive than similar products in other places, her customers know that they are supporting creative entrepreneurs. In the future, Campbell also hopes to rent out the parlour at the back of her store to individuals who do readings to make this type of magic more accessible to the community.
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“Honestly when people come in the store, I really just want them to feel inspired… [I]inspiration and creativity are such huge parts of magic for me. So I hope people come in and feel like they can be curious… ,” said Campbell.
“I want to awaken a childish enthusiasm in them that makes them remember when they were a little kid and anything seemed possible, [when] they just looked at everything with wide eyes and believed in magic,” she added.
Campbell has been drawn to magic and magical items since she was a kid. As she grew older, magic became more about having a connection to nature. Campbell understands that the store might not be for everyone, but she wants it to be approachable. Having experienced the benefit of everyday magic in her life, she wants to bring a little magic to everyone else’s life too.
Campbell put the word witch in the title of her store to help change the perception of the word. She wants to do away with the idea of long fingernails and cackling laughs and replace it with the idea of magic as ownership of one’s human nature and connection to the world around us.
“I mean there are so many days where it seems like there is no magic in the world and being able to spot it in the tiniest things… [it] makes my mental health better. It can be as simple as just birds on somebody's front lawn hopping and chirping, like that is magical to me… It's just really about finding things that make me smile and are really accessible,” Campbell said.
Once the dust settles a little more, Campbell will plan a grand opening celebration to mark the fruition of this vision. In the meantime, she looks forward to watching the store grow. With the warm responses that she has received thus far the online and Hamilton community, Witch’s Fix should continue to grow and become the store for all-things sorcery and magic downtown.
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By: Adrianna Michell
The city of Hamilton is often associated with art, growth and income disparity, and all of these are reflected in the self-publishing scene. Specifically, zines offer local artists, writers and creatives not only a venue for expression, but a community as well.
Zines grew from the basements of outcast punk rockers to the photo clipping scattered floors of underrepresented creatives everywhere.
Self-published works are made and disseminated unprofessionally, and often through friend circles, organizations or through specific shops like record stores and niche bookstores. Zines can cover many themes, but are generally an art form of subversion where artists are able to share ideas not seen in mainstream forms of media.
The artists that live and work with Hamilton use zines to interact with the politics of the city. Unique voices and perspectives outside of what is acceptable on the shelves of bookstores can be freely shared.
Phoebe Taylor
As a Hamilton based OCAD university alum, illustrator and printmaker, Phoebe Taylor uses zines as autobiographical works. Her experience in the world as a woman is the thesis of her self-published material. This comes through as she collects her words and illustrations, and sometimes decorates them with dollar store gemstones.
“I think zines are a form of being pissed off, right?"
“I guess its like hyper-femininity,” Taylor says of the 3D component of her zines, “... that’s just another way of [representing myself]. It’s just like a little piece of me that I’m putting into it.”
“[Self-publishing] for me, it’s definitely making an artwork that is 100 per cent self-serving and something I can share with somebody that isn’t necessarily to represent ... a fully formed idea. ... [It’s] like when you’ve got an itch and you just need to get it out of your system.”
While the personal self-expression of zines is important to Taylor, so is the community that she has built through these creative works. Taylor connects to creators on Instagram and is in touch with the Toronto artist community, but her favourite is the Hamilton Feminist Zine Fair.
The Sexual Assault Centre of Hamilton and Area, a centre that provides services to survivors and community events, organizes the fair each year to showcase marginalized voices. The free event has allowed Taylor to meet zine-makers and local artists as well as readers who resonate with her messages.
“[SACHA’s zine fair is] an environment where everyone is willing to give you a little bit of themselves,” Taylor says. “[It’s] a lot of giving and receiving of love.”
Despite the love that Taylor has experienced at zine fairs, she also realizes the political nature the format.
“I think zines are a form of being pissed off, right? ... I’d be curious in the next few years what people have to say about, you know Hamilton’s LRT. ... I wouldn’t be surprised if somebody’s writing about gentrification of downtown.”
Taylor's website is http://www.phoebetaylor.ca
Amy Egerdeen
After moving to Hamilton in 2013, Amy Egerdeen has found community through self-publishing. As a cofounder of SACHA’s feminist zine fair, she knows the importance of connecting with others in the community over arts-based activities.
Egerdeen is an artist, bookmaker and community worker. Egerdeen works in women’s shelters and youth groups to facilitate self-expression through art. In her zines and other art works, Egerdeen includes themes of “feminism, imagined futures [and] storytelling.”
“I want to focus on creating spaces for people to be involved in their own storytelling.”
Egerdeen likes the passion that goes into zine making. Without the incentive of money or a large audience creators are able to express ideas outside of popular conversations. Zines allow people to talk about things that they have strong feelings about, and topics that may not have a place among the bookstands.
“I love that they exist outside of commercial media, which means you don’t see ads. No one is trying to make you buy something. You can be honest and speak your mind. ... Zines are about freedom.”
Collaboration is important in Egerdeen’s creative process. Through the collaborative zines Egerdeen facilitates in women’s shelters and annually at the HFZF, she is able to use her skills to help others share their stories.
“I want to focus on creating spaces for people to be involved in their own storytelling.”
Collaborative zines are able to gather a variety of lived experiences into one art piece, and therefore are a community building practice. By curating zines that source material from local artists, shelters and youth groups, Egerdeen allows underrepresented groups to come together and share their ideas.
“The zine and politically engaged communities in Hamilton, like most places, have a lot of overlap. Lots of zine makers are also on the front lines of fighting against inequality and injustices.”
Egerdeen's website is http://amyegerdeen.com
Sahra Soudi
“Zines typically have narratives that aren’t shown, and usually those narratives come from marginalized voices, and I think that’s important,” says artist, activist and third year multimedia student Sahra Soudi. Soudi has displayed their narrative-based zines at HFZF and has space at HAVN.
They are currently working on a zine that revolve around themes of uncertainty as well as their personal experiences in Hamilton and regarding oppressions. Their zine is about “overcoming assimilation and then turning that into revolutionary thought.”
While zines provide Soudi an outlet for their ideas, they note that their narrative would not be shown in large bookstores or more mainstream, monetized forms of publication. Soudi connects the tradition of trading zines to the political issue of gentrification.
Soudi looks at “art exchange and art trading as opposed to very capitalist exchange with money, like currency and art, and the importance of that, then comparing that to themes of marginalized struggles.”
“Within my art practices ... [I include] community organizing,” Soudi says. “I seek for communities who do the same work, and I also seek other people who do the same work.” Soudi uses their art works, zines included, as activism.
“Zines typically have narratives that aren’t shown, and usually those narratives come from marginalized voices, and I think that’s important.”
“I guess with zines, I don’t want to say it’s combative, but it is. ... and so it almost always seems appropriate for Hamilton to be a part of [that].”
Jessica Felicity
Jessica Felicity is a Hamilton based artist and community organizer. Currently attending Ryerson University for English, Felicity uses zines as a way to reclaim conversations she has felt excluded from because of her identity as a Black femme.
“You can do whatever you want with a zine. It’s pretty much free space. It lets me have more of a voice.”
Zines allow Felicity to carve out space for herself within the Hamilton arts community, but the medium also allows her to confront the systems that exclude marginalized artists.
“[Zines] combat popular media with different, alternative messages, because you can just make a zine by yourself.”
Regardless of how politicized or personal her zines are Felicity always bases her work in real experience.
“The foundation is truth. You need the truth, not filtered, edited versions. I think with zines also it doesn’t have to be curated through an oppressive lense. It’s more free, like everyone’s true and messy selves.”
“You can do whatever you want with a zine. It’s pretty much free space. It lets me have more of a voice.”
Dr. Emily Bennett N.D.
Dr. Emily Bennett is a naturopathic doctor and birth doula that runs a community wellness centre on the west side of Hamilton. Ever since the wellness centre, Island Island, opened its doors, it has had zines displayed in the waiting room in place of traditional magazines. With poetry and illustration replacing fad diets and home décor, Bennett has given a space for zines to be presented to an otherwise unwitting audience.
“I wanted [to] offer a variety of reading material on topics that wouldn’t normally be covered in journals or magazines. Things that are a bit more niche, personal stories, stuff that would make people feel comfortable when they came in and saw their unique experience reflected in the reading material.”
Bennett’s centre offers community acupuncture and services on a sliding scale in order to accommodate people who may otherwise find the help they need inaccessible.
“Zines relate to wellness in that they are a vehicle for personal expression and maybe processing things that are challenging. ... I kind of see zines as one of the many tools for dealing with things that could be challenging in our life or traumatic.”
Zines as self-published and financially accessible material relates to Bennett’s sliding scale practice, as both are able to connect people, regardless of economic situation, to community and wellness.
“It’s not infrequent for zines to be sold on a sliding scale or for barter or pay what you can or that sort of thing, so it does kind of match our overall aesthetic that we’re trying to operate outside of the conventional consumer system with the way we offer our services. And I think zines kind of reflect that as well.”
"I kind of see zines as one of the many tools for dealing with things that could be challenging in our life or traumatic.”
Zines hold a history of Hamilton’s artists in their messy, photocopied pages. Excluded artists and uncreative folks alike can find community through the collaboration that goes into the creation and dissemination of the medium. Zines aren’t a James Street North novelty, and they aren’t going anywhere.
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